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備注:已完結(jié)
類(lèi)型:科幻片
主演:Leonard Nimoy William Shatner Billy
語(yǔ)言:英語(yǔ)
年代:未知
簡(jiǎn)介:威廉·夏特納和倫納德·尼莫伊2001年為紀(jì)念DeKelley拍的紀(jì)錄片,整部就是兩個(gè)人對(duì)話,超級(jí)有愛(ài),兩位爺爺嘮家常的紀(jì)錄片,看到最后談到兩個(gè)人關(guān)于人生終點(diǎn)的看法,WS和LN一同坐在LN家里的院子里,晴空微風(fēng),綠樹(shù)綠草,兩位老人時(shí)而大笑時(shí)而嚴(yán)肅的交談,讓人感覺(jué)甜蜜又感動(dòng),這是ST所延伸的又一份美好。是經(jīng)歷了歲月越發(fā)耀眼的珍寶。
備注:已完結(jié)
類(lèi)型:科幻片
主演:凱爾·杜拉 Jurgen Schmidhuber Louis Rose
語(yǔ)言:其它
年代:未知
簡(jiǎn)介:Acclaimed filmmaker Leanne Pooley directs this insightful documentary examining the future of artificial intelligence and the impact it will have on our world. As computers continue to evolve at an ever-greater speed, soon they will have the capacity to design and program themselves. Without the help of humans, the next generation of computers will create new and smarter A.I. at an exponential pace. What will these technological developments mean for the future of mankind Written by GFC Films
備注:已完結(jié)
類(lèi)型:科幻片
主演:未知
導(dǎo)演:張明歸
語(yǔ)言:其它
年代:未知
簡(jiǎn)介:2045年,一位導(dǎo)演從地球帶著他拍攝的影像素材到達(dá)火星,素材是關(guān)于他曾經(jīng)遇到過(guò)的越南原住民群體。本片從身份議題、美學(xué)、影像政治學(xué)到當(dāng)?shù)卦岫Y風(fēng)俗,再到那些有形與無(wú)形的力量催生的文化,將科幻片元素與人類(lèi)學(xué)電影相結(jié)合,闡釋了時(shí)間與環(huán)境在極大程度上影響著我們對(duì)家園這一概念的理解。
備注:已完結(jié)
類(lèi)型:科幻片
主演:Georgi Solovyov Leonid Khmara Georg
導(dǎo)演:帕維爾·克羅素
語(yǔ)言:其它
年代:未知
簡(jiǎn)介:《通向行星路》的制作期長(zhǎng)達(dá)三年,它是一部雄心勃勃的意識(shí)形態(tài)電影,包含著極具開(kāi)創(chuàng)性的特效和精湛的手工模型作品。這部影片對(duì)庫(kù)布里克《2001太空漫游》(2001:A Space Odyssey,1969)中對(duì)失重狀態(tài)、灼熱的星球和旋轉(zhuǎn)式的太空站模型的在現(xiàn)實(shí)主義描寫(xiě)有著重要影響?! lushantsev的《通向行星路》捕捉到了太空競(jìng)爭(zhēng)的時(shí)代思潮。按照莫斯科電影官僚的指示,他在影片中增加了蘇聯(lián)第一個(gè)繞地衛(wèi)星的模型。結(jié)果,這部五十分鐘電影在蘇聯(lián)激起了觀眾的恐慌。據(jù)報(bào)道,電影片段在美國(guó)電視播放時(shí),有些觀眾恐慌得暈厥過(guò)去。 這使得他隨后的影片也是他唯一一部標(biāo)準(zhǔn)長(zhǎng)片——1962年的《暴風(fēng)雨之星》讓人有點(diǎn)失望。這部影片是這一時(shí)期蘇聯(lián)科幻電影知名度較高的一部,故事由一隊(duì)到金星探索的蘇聯(lián)航天員展開(kāi),隊(duì)伍中有四個(gè)男人,一個(gè)女孩,還有一個(gè)笨重的機(jī)器人(這個(gè)機(jī)器人很明顯是效仿了米高梅影片《禁忌星球》(Forbidden Planet,1956)中的機(jī)器人角色)。當(dāng)兩個(gè)宇宙飛船被流星摧毀時(shí),這一隊(duì)人被迫在星球表面下降著陸。他們一著陸就遇到惡毒的蜥蜴人,掠奪性的翼龍和食人的植物,而最后,他們得以逃離,回到太空中。
備注:已完結(jié)
類(lèi)型:科幻片
主演:Margarete Sch?n Theodor Loos Paul B
語(yǔ)言:其它
年代:未知
簡(jiǎn)介:Wunder der Sch?pfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001 A Space Odyssey. In the context of Germany's Kulturfilm phenomenon, Wunder der Sch?pfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed. The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.
備注:已完結(jié)
類(lèi)型:恐怖片
主演:Erin Brown Justin Brown Amy Bullard
導(dǎo)演:Steve Gonsalves Kendall Whelpton
語(yǔ)言:英語(yǔ)
年代:未知
簡(jiǎn)介:A beautiful documentary telling the real story of a homeowner living with a haunting. Bridging the paranormal, real science and the human experience this documentary shows a detailed look at what could be the most haunted house in America.
備注:已完結(jié)
類(lèi)型:恐怖片
主演:Matt Benton Kenny Biddle Eric Conne
導(dǎo)演:Matt Benton
語(yǔ)言:英語(yǔ)
年代:未知
簡(jiǎn)介:四位超自然現(xiàn)象研究者和YouTubers記錄了建于1736年的前阿諾德家族農(nóng)舍的超自然現(xiàn)象說(shuō)法?,F(xiàn)在被稱(chēng)為哈里斯維爾農(nóng)舍,也是知名電影《招魂》的靈感來(lái)源。電影中的極端超自然現(xiàn)象是真的嗎?請(qǐng)跟隨研究人員馬特-本頓、喬-維塔萊、比爾-庫(kù)克和埃里克-康納一起深入研究這個(gè)神秘的鬧鬼事件,分享他們令人難以置信的發(fā)現(xiàn)和證據(jù)。
備注:已完結(jié)
類(lèi)型:恐怖片
主演:Yatoya Toy Siegfried Peters
導(dǎo)演:羅德尼·阿謝爾
語(yǔ)言:英語(yǔ)
年代:未知
簡(jiǎn)介:In The Nightmare, director Rodney Ascher (Room 237) has done just that. The film explores the condition commonly referred to as “sleep paralysis.” That’s a condition where someone is in bed, but totally physically immobilized. Some who suffer from the condition – including the eight subjects in this documentary – feel they are visited by something evil during these periods. Ascher lets these subjects tell their stories, then we watch them play out on screen. It’s absolutely horrifying, if not wholly rewarding.
備注:已完結(jié)
類(lèi)型:恐怖片
主演:Maren Pedersen 克拉拉·龐特皮單 埃利特·皮奧 奧斯卡·
導(dǎo)演:本杰明·克里斯滕森
語(yǔ)言:其它
年代:未知
簡(jiǎn)介:一部有關(guān)宗教巫術(shù)的準(zhǔn)記錄片,世界前50名紀(jì)錄片第39位?! 『?jiǎn)介:《女巫們》也叫《歷代的巫術(shù)》,可以看作是一部有關(guān)宗教巫術(shù)的準(zhǔn)記錄片。1919 到1921間丹麥導(dǎo)演創(chuàng)作了這部瑞典與丹麥合拍的超越時(shí)代杰作,并在該片中扮演魔鬼一角。這部影片構(gòu)思新奇、造型技巧高超、畫(huà)面結(jié)構(gòu)嚴(yán)謹(jǐn),運(yùn)用富于表現(xiàn)力的特寫(xiě)鏡頭和動(dòng)作感強(qiáng)的蒙太奇均很恰當(dāng)。但是由于宗教原因,這部電影當(dāng)時(shí)被瑞典和其他歐洲國(guó)家列為禁片,直到1929年,經(jīng)過(guò)嚴(yán)格刪剪的版本才在美國(guó)出現(xiàn)。導(dǎo)演也因?yàn)楫?dāng)時(shí)Hollywood的納賢口號(hào)而移居美國(guó),但也并未得志,郁郁而終。這部作品的意義不僅在于題材的敏感和手法的前衛(wèi),在視覺(jué)成就方面,本片無(wú)疑更是電影史上的翹楚之一。
備注:已完結(jié)
類(lèi)型:恐怖片
導(dǎo)演:陳達(dá)年
語(yǔ)言:粵語(yǔ)
年代:未知
簡(jiǎn)介:影片簡(jiǎn)介: 《怪談》原班人馬將帶你進(jìn)入最驚嚇的靈異新境界!攝制隊(duì)搵命搏將觀眾從未目睹的靈異猛料破禁大曬冷,靈體、尸體及裸體樣樣齊,全新攝制激爆內(nèi)容挑戰(zhàn)III級(jí)尺度。千億遺產(chǎn)風(fēng)水專(zhuān)家證人司徒法正更親自率領(lǐng)攝制隊(duì)闖入東南亞各死亡禁地。出位踩界的「搵鬼」行程極度震撼,既有女主持Rachel夜探停尸間向尸體喪噴陽(yáng)氣引發(fā)中邪疑云、攝制隊(duì)又踩入怡保的猛鬼曬骨村大玩碟仙,還跟隨執(zhí)尸隊(duì)見(jiàn)死人即擺陣招魂。令人毛骨悚然的奇人異士紛紛現(xiàn)身,當(dāng)中包括黑巫師活咬生雞喂「鬼仔」、鯨吞怪蟲(chóng)解降的法師及進(jìn)行猥褻和合降……電影《怪談》要驚有驚要鬼有鬼,夠膽你就!