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備注：已完結(jié)
類型：歐美劇
主演：埃迪·馬森 安-瑪莉·杜芙 Sophie Stone 拉臘·皮克 邁克
導(dǎo)演：盧克·斯奈林
語言：英語
年代：未知
簡(jiǎn)介：The BBC has commissioned Reunion, an emotional thriller of revenge and redemption, which follows the journey of Brennan, a deaf man determined to right his wrongs, while unravelling the truth behind the events that led him to prison.
備注：已完結(jié)
類型：歐美劇
主演：艾米·盧·伍德 納巴漢·里茲旺 蘇蘭·瓊斯 亞當(dāng)·朗 麗芙·希爾 歐文
導(dǎo)演：凱瑟琳·莫斯海德
語言：英語
年代：未知
簡(jiǎn)介：Every Thursday. 9pm. Tom and Evie watch a film together in her garage. Evie lovingly decorates the space to match the film of the week - from a yellow brick road for The Wizard of Oz to a space craft for Alien. It's magical. They’re there for the love of the movies. Or at least, that’s what they tell themselves. In reality, Tom is madly in love with Evie. What he doesn’t know is that Evie is in love with him too. But when Tom accepts a job at the other end of the country, their happily ever after comes under threat. He's leaving in six weeks. That means Evie has six film clubs left to tell Tom how she feels, or risk losing him forever. Evie is going to have to navigate all of this amongst the chaos of her family home – her eccentric and unconventional mother, Suz, and her younger sister Izzy. A trio of women full of love, and dysfunction, in equal measure. A piercingly funny and utterly heart-warming screenwriting debut from two of Britain’s most exciting voices.
備注：已完結(jié)
類型：歐美劇
主演：尼古拉斯·丹頓 伊麗莎白·麥戈文 威廉·菲克納 麥茜·理查森·塞勒斯
導(dǎo)演：約翰·李·漢考克
語言：英語
年代：未知
簡(jiǎn)介：本劇聚焦賴斯“吸血鬼編年史”等作品中涉及的神秘組織Talamasca，“保護(hù)世界免受女巫、吸血鬼、狼人和別的怪物和超自然世界的危害”。而Guy Anatole的角色描述為：“外表聰明、英俊、時(shí)髦，但他一直知道自己的頭腦運(yùn)作跟別人不太一樣。在從法學(xué)院畢業(yè)前夕，他被秘密機(jī)構(gòu)Talamasca的人找上了，并發(fā)現(xiàn)自己從幼年時(shí)期起就在被該機(jī)構(gòu)追蹤。因此，Guy進(jìn)入了一個(gè)秘密特工和不死生物的世界。如今，這些永生者與人類世界維持著一種脆弱的平衡，但要保持這種平衡，并且保住Guy的性命，他必須要學(xué)會(huì)接受黑暗、狡詐、奇特的真正自我?！?/p>
備注：已完結(jié)
類型：動(dòng)畫片
主演：Azize Diabaté Abdoulaye 帕斯卡爾·恩佐濟(jì) Ox
導(dǎo)演：西蒙·魯彼
語言：法語
年代：未知
簡(jiǎn)介：12-year-old Adama lives in a remote village in West Africa. Out beyond the cliffs lies the Land of Breaths, peopled by wicked war-hungry spirits. When his big brother suddenly vanishes from the village, Adama decides to go look for him. Full of desperation and childish innocence, he will traverse Europe at war. The love that he has for his brother will lead to an unexpected end...
備注：已完結(jié)
類型：歐美動(dòng)漫
主演：吉娜·羅德里格茲 菲恩·伍法德 連姆·奧布賴恩 瑪麗·伊麗莎白·麥格林
導(dǎo)演：凱文·達(dá)特
語言：英語
年代：未知
簡(jiǎn)介：卡門是現(xiàn)代的俠盜羅賓漢，她周游全球，偷走國(guó)際惡聯(lián)偷來的東西，再還給失主?？ㄩT被多數(shù)執(zhí)法機(jī)關(guān)認(rèn)定為罪犯 — 等等，應(yīng)該說是犯罪大師，因?yàn)樗谋I竊規(guī)模和戲劇般的犯罪風(fēng)格。我們將追隨她的種種冒險(xiǎn)，找到她的下落，并弄明白卡門·圣地亞哥究竟是誰？
備注：已完結(jié)
類型：歐美動(dòng)漫
主演：吉娜·羅德里格茲 菲恩·伍法德 連姆·奧布賴恩 瑪麗·伊麗莎白·麥格林
導(dǎo)演：凱文·達(dá)特
語言：英語
年代：未知
簡(jiǎn)介：卡門是現(xiàn)代的俠盜羅賓漢，她周游全球，偷走國(guó)際惡聯(lián)偷來的東西，再還給失主?？ㄩT被多數(shù)執(zhí)法機(jī)關(guān)認(rèn)定為罪犯 — 等等，應(yīng)該說是犯罪大師，因?yàn)樗谋I竊規(guī)模和戲劇般的犯罪風(fēng)格。我們將追隨她的種種冒險(xiǎn)，找到她的下落，并弄明白卡門·圣地亞哥究竟是誰？
備注：已完結(jié)
類型：歐美動(dòng)漫
主演：普魯內(nèi)爾·查爾斯·安布隆 恩佐·拉齊托 納塔莉?德賽 布魯諾·帕維奧
導(dǎo)演：米歇爾·歐斯洛
語言：法語
年代：未知
簡(jiǎn)介：十九世紀(jì)末正是巴黎的“美好年代”，新藝術(shù)百花齊放，新技術(shù)層出不窮，在這黃金盛世的背后卻傳出一連串女童被拐騙的聲音，見義勇為的混血小公主迪麗麗和好友快遞員踏上幻險(xiǎn)旅程，穿梭于巴黎的各處名筑和大街小巷，拯救被困女童，途中邂逅居里夫人，畢加索，馬蹄斯，羅特利特，莫奈，普魯斯特，莎拉·波恩沙特，等眾多時(shí)代天才名人，并得以慷慨相助。被譽(yù)為‘色彩魔術(shù)師’的法國(guó)動(dòng)畫大師米歇爾·歐斯洛繼《嘰里咕和女巫》、《夜的神話》、《王子與公主》等動(dòng)畫片大獲成功之后，又一部經(jīng)典之作問世?！兜消慃惖钠婊冒屠琛饭蠢樟艘环^美的巴黎風(fēng)情畫和群英譜。展示出現(xiàn)實(shí)題材和原創(chuàng)動(dòng)畫的可能性。本片《迪麗麗的奇幻巴黎》首次呈現(xiàn)真景與動(dòng)漫結(jié)合的創(chuàng)作風(fēng)格，實(shí)現(xiàn)了一場(chǎng)先鋒動(dòng)畫革命。
備注：已完結(jié)
類型：劇情片
主演：帕斯卡爾·普緹 安德麗·帕里西 雅克·夏里爾 洛朗·特茲弗 讓-保羅·
導(dǎo)演：馬塞爾·卡爾內(nèi)
語言：法語
年代：未知
簡(jiǎn)介：Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy... Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time. Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as Fran?ois Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma fran?ais in 1958. Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading. Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
