霧碼頭

備注：已完結(jié)

類型：愛情片

主演：皮埃爾·布拉瑟 勒內(nèi)·熱南 馬塞爾·佩雷斯 羅歇·勒格里 馬夏爾·雷貝 

導(dǎo)演：馬塞爾·卡爾內(nèi) 

語言：法語

年代：未知

簡介：讓（讓?迦本 Jean Gabin 飾）在戰(zhàn)爭后成為了一個(gè)落魄的逃兵。在大霧彌漫的夜晚他搭上了一輛順風(fēng)車，并救下了一只小狗，小狗跟著他來到了這座海濱小城。小城的碼頭上終日霧氣彌漫，天空市集盡顯壓抑之色。讓在這里遇到了美麗的奈麗（米歇爾?摩根 Michèle Mo rgan 飾），兩人逐漸相愛，而讓卻不得不面對自己顛沛流離的逃亡命運(yùn)。奈麗的監(jiān)護(hù)人扎貝爾殺死了她的前男友莫里斯，奈麗不堪忍受他的占有欲和管教離家出走。讓在一次與奈麗的相會中惹上了當(dāng)?shù)氐暮谏鐣肿勇肺鞫鳎≒ierre Brasseur 飾），路西恩覬覦奈麗的美色，一直在追尋莫里斯的下落。正在奈麗回家后面對扎貝爾瘋狂侵犯的危急關(guān)頭，讓及時(shí)出現(xiàn)打死了這個(gè)卑鄙的商人。兩人一同走在霧碼頭的街道上，面對分別的時(shí)刻，路西恩卻開槍射殺了讓……

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夜之門

備注：已完結(jié)

類型：劇情片

主演：皮埃爾·布拉瑟 塞爾日·雷吉亞尼 伊夫·蒙當(dāng) 納塔莉·納捷 薩蒂南·法 

導(dǎo)演：馬塞爾·卡爾內(nèi) 

語言：法語

年代：未知

簡介：　　1945年2月,在巴黎的地鐵里,一個(gè)工人金 迪戈遇到一個(gè)會算命的流浪漢.流浪漢預(yù)卜他將要和一個(gè)漂亮的女人發(fā)生愛情,而且就在幾個(gè)小時(shí)以后將出現(xiàn)戲劇性的情景.不久.金就遇到一個(gè)逃避不幸婚姻的年輕女人瑪瑙.瑪瑙的弟弟蓋伊也同樣地接到了那個(gè)神秘的流浪漢的警告:他正在被一個(gè)不幸的死亡所逼進(jìn).蓋伊不理睬他.蓋伊告訴瑪瑙的丈夫喬治,瑪瑙已經(jīng)和金墜入情網(wǎng).因?yàn)閼岩山鹩形淦?喬治勉強(qiáng)地接受了蓋伊給他的槍.....

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不安分的年輕人們

備注：已完結(jié)

類型：劇情片

主演：帕斯卡爾·普緹 安德麗·帕里西 雅克·夏里爾 洛朗·特茲弗 讓-保羅· 

導(dǎo)演：馬塞爾·卡爾內(nèi) 

語言：法語

年代：未知

簡介：Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy...　　　　Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time.　　　　Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as Fran?ois Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma fran?ais in 1958.　　　　Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading.　　　　Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.

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夜間來客

備注：已完結(jié)

類型：愛情片

主演：阿倫·雷乃 西蒙·西涅萊 阿蘭·居尼 費(fèi)爾南·勒杜 羅貝爾·勒貝亞爾 

導(dǎo)演：馬塞爾·卡爾內(nèi) 

語言：法語

年代：未知

簡介：15世紀(jì)一座巨大的白色城堡里，正在舉行盛大的節(jié)日慶祝會。魔鬼派遣他創(chuàng)造的人混在雜技藝人當(dāng)中。在這個(gè)卻是很美的開始場景中，服裝師，演員們和音樂師全都沉醉在法國傳統(tǒng)中，他們都以一種完美而準(zhǔn)確的風(fēng)格重現(xiàn)古代...

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天堂的孩子

備注：已完結(jié)

類型：愛情片

主演：阿萊蒂 讓-路易斯·巴勞特 皮埃爾·布拉瑟 皮埃爾·雷諾阿 

導(dǎo)演：馬塞爾·卡爾內(nèi) 

語言：法語

年代：未知

簡介：巴黎熱鬧的街上，美麗的女子Garance（阿萊緹 Arletty 飾）先是認(rèn)識了演員Frédérick Lema?tre（皮埃爾·布拉瑟 Pierre Brasseur 飾），然后又認(rèn)識了Baptiste Deburau（讓-路易斯·巴勞特 Jean-Louis Barrault 飾），她還有一個(gè)追求者Pierre-Fran?ois Lacenaire，一個(gè)偷東西做些壞事的人。某個(gè)夜晚，Baptiste又在酒吧遇見了Garance，他向她表白愛意，Garance也喜歡Baptiste，兩人來到Baptiste居住的旅館。Baptiste希望Garance像他愛她一樣愛他，于是離開了她的房間。恰巧Garance的隔壁住著的是Frédérick，兩人遂一夜春宵，墜入愛河。Garance也加入了Baptiste和Frédérick的劇團(tuán)。在一次演出上，一位花花公子，Comte édouard de Montray被Garance的美麗深深吸引。他來到后臺像Garance表達(dá)了他的愛，但被Garance拒絕。于是édouard留下了他的聯(lián)系方式，希望Garance有難的時(shí)候可以找他。不久，Garance卷入一宗謀殺案，她只能尋求édouard的幫助。多年過去了，隨著édouard走遍各地的Garance又回到了巴黎，又遇到了Baptiste、Pierre-Fran?ois和Frédérick.....?豆瓣

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