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備注:已完結(jié)
類型:劇情片
主演:琳達(dá)·哈蒂 托馬斯·克萊舒曼 夏洛特·蘭普林 亞納·柯勒特 弗雷德里克
導(dǎo)演:恩基·比拉
語言:英語 / 法語
年代:未知
簡介:[故事發(fā)生在遙遠(yuǎn)的2095年,天空中出現(xiàn)了神秘的金字塔,金字塔中所禁錮的,正是鷹頭人身的太陽神荷若絲(ThomasM.Pollard飾),為了延長自己的壽命和法力,荷若絲逃出了重重禁錮,決定在凡間找一對(duì)男女生育自己的后代,被冰凍的太空人尼科波爾(托馬斯·克萊舒曼ThomasKretschmann飾)不幸成為了他的目標(biāo),最終,荷若絲成功的附在了尼科波爾的身體里。吉爾(BarbaraScaff飾)擁有著能夠流出藍(lán)色淚水的特異功能,對(duì)于自己的與眾不同,吉爾感到十分困惑和無奈,更糟糕的是,天賦異稟的吉爾淪為了大型醫(yī)藥企業(yè)的人體試驗(yàn)對(duì)象,這樣一位可憐的女子,成為了荷若絲的目標(biāo),命運(yùn)的齒輪就此開始轉(zhuǎn)動(dòng)。]
備注:已完結(jié)
類型:劇情片
主演:Giuli Chokhonelidze Konstantin Russ
導(dǎo)演:Sergei Parajanov Yakov Bazelyan
語言:其它
年代:未知
簡介:Parajanov's diploma film for the VGIK, based on the Moldavian fairy tale by Emilian Bukov. A young shepherd is given a magical instrument from a giant.
備注:已完結(jié)
類型:劇情片
主演:比吉特·米尼希邁爾 Jürgen Vogel Henry Stange
導(dǎo)演:馬蒂亞斯·格拉斯納
語言:其它
年代:未知
簡介:位于北冰洋沿岸的哈默菲斯特是挪威最北的城市,這座小城每年都會(huì)經(jīng)歷極夜,太陽永遠(yuǎn)地藏在地平線以下不會(huì)升起,城市在漫長的黑夜與永恒的黎明之間徘徊。來自德國的天然氣工程師尼爾斯把自己的妻子瑪利亞和兒子接來此地,希望挽救即將破碎的家庭。但新的環(huán)境貌似對(duì)他們的關(guān)系于事無補(bǔ)。尼爾斯沒日沒夜的工作,還在外有個(gè)情人?,斃麃喸谂R終醫(yī)院做夜間看護(hù),處在青春躁動(dòng)期的兒子馬庫斯與新同學(xué)的關(guān)系也日拔弩張。但一晚一場突然起來的車禍將三顆冰冷的心漸漸融化,原本岌岌可危的夫妻關(guān)系在共同承擔(dān)對(duì)這一事件的過程中開始發(fā)生變化,并在彼此的陪伴中完成了由恐慌-逃避-愧疚-躊躇-懺悔的整個(gè)心理歷程,并最終在對(duì)向受害者父母說出真相完成了對(duì)自我心靈的救贖。
備注:已完結(jié)
類型:劇情片
主演:Paul Blain Marie-Christine Friedric
導(dǎo)演:米婭·漢森-洛夫
語言:法語
年代:未知
簡介:維克多(Paul Blain 飾)和妻子安妮特(Marie-Christine Friedrich 飾)結(jié)婚多年,兩人共同養(yǎng)育著女兒帕梅拉(Victoire Rousseau 飾),一家人住在風(fēng)景如詩如畫的維也納,日子平靜之中充滿了幸福。然而,讓安妮特沒有想到的是,維克多竟然沾染上了毒品,整日和毒販們廝混在一起?! 』氐桨屠韬螅S克多不僅沒有改邪歸正,反而變本加厲,一個(gè)幸福美滿的家庭眼看著就要?dú)в谝坏T诎l(fā)現(xiàn)維克多不可能改變后,安妮特果斷的帶著帕梅拉離開了家,兩人相依為命,隱姓埋名的生活著,一晃眼就是十一年過去。彼時(shí)的帕梅拉已經(jīng)成長為了亭亭玉立的大女孩,童年時(shí)代不幸的經(jīng)歷讓她對(duì)父親充滿了憤怒和怨懟。當(dāng)帕梅拉得知自己的父親依然活著,并且就和自己生活在同一個(gè)城市后,她決定去見一見他。
備注:已完結(jié)
類型:劇情片
主演:米爾恰·安德烈埃斯庫 特奧多·科爾班 伊昂·薩普達(dá)魯 Mirela C
導(dǎo)演:柯內(nèi)流·波藍(lán)波宇
語言:羅馬尼亞語
年代:未知
簡介:[一個(gè)小城的電視臺(tái)在圣誕節(jié)前夕,也是革命紀(jì)念日當(dāng)天準(zhǔn)備錄制一檔關(guān)于城市革命記憶的節(jié)目。故事從清晨開始,電視臺(tái)臺(tái)長正為錄制節(jié)目而做著準(zhǔn)備。其中一位嘉賓瑪尼斯古是一位歷史老師,剛從宿醉中醒來,隨即開始四處借錢補(bǔ)貼薪水,為此他還向昨夜喝醉后辱罵過的華人道歉。另一位嘉賓皮斯科斯,退休后獨(dú)自生活,鄰居來邀請(qǐng)他扮演圣誕老人,他欣然應(yīng)允。按照約好的時(shí)間,節(jié)目錄制開始了?,斔鼓峁胖v述了當(dāng)年羅馬尼亞革命日他們的革命事跡,此時(shí)卻有不少觀眾打來電話駁斥他的觀點(diǎn)并說他在撒謊?,F(xiàn)場的爭論氣氛立馬活躍了起來。在這小電視臺(tái)討論的大革命的問題究竟會(huì)有怎樣的結(jié)論呢?]
備注:已完結(jié)
類型:劇情片
主演:Teofil Valcu Constantin Dinulescu T
語言:其它
年代:未知
簡介:影片以18世紀(jì)羅馬尼亞的地下秘密組織“兄弟會(huì)”為線索,該組織密謀推翻貴族政府為目的。影片拍攝時(shí)期為羅馬尼亞共產(chǎn)黨執(zhí)政時(shí)期,對(duì)“兄弟會(huì)”進(jìn)行頌揚(yáng)。當(dāng)時(shí)的羅馬尼亞受到法國大革命的影響,民族主義運(yùn)動(dòng)興起。片中的“兄弟會(huì)”醞釀發(fā)動(dòng)革命推翻貴族統(tǒng)治,而黃玫瑰則幫助 “兄弟會(huì)”與貴族軍隊(duì)作戰(zhàn)。影片本來要拍成《007》那樣的系列電影,但是因?yàn)楹髞砹_馬尼亞政局變化,電影業(yè)私有化,最后只拍到了第八部?! ∮捌L(fēng)格是美國西部片式的。男主角馬爾杰拉圖神出鬼沒,神勇無比,為“兄弟會(huì)”出生入死。他不停地嗑瓜子動(dòng)作,成為他的招牌。扮演馬爾杰拉圖的演員叫弗洛林·彼耶爾西克,據(jù)說,他在羅馬尼亞電影表演界的地位,與現(xiàn)在的羅馬尼亞電影創(chuàng)作協(xié)會(huì)主席塞爾裘·尼古萊斯庫相當(dāng)。片中的黃玫瑰很像個(gè)美國牛仔。比如,他的槍法很好,還會(huì)趴在地上聽馬蹄聲,而且片中還出現(xiàn)了西部片必然會(huì)有的場面:群馬追擊四輪馬車和酒館里的群架。唯一不同的是,這個(gè)牛仔不愛叼雪茄,卻喜歡嗑瓜子。他嗑瓜子的鏡頭深深印在了中國人的腦海里,即使他們?cè)缫淹浟擞捌膭∏椋膊粫?huì)忘記這個(gè)動(dòng)作?! ∨鹘前⒖ㄋ侵难輪T,性感、風(fēng)流、直率、剛勇、不擇手段,為了蓋劇院籌集資金而為當(dāng)局效勞,成為“黃玫瑰”的勁敵。阿卡塔的扮演著MARGA BARBU是羅馬尼亞享有盛譽(yù)的著名演員,是該片編劇的妻子。她于2009.2.28死于心臟病。
備注:已完結(jié)
類型:劇情片
主演:Marfa Lapkina M. Ivanin Konstantin
導(dǎo)演:謝爾蓋·愛森斯坦 格里高利·亞歷山德羅夫
語言:其它
年代:未知
簡介:Due to some common interests between German and Russian aristocracy ( the Russians even had aristocrats in their past not to mention they had an Empress called Catherine the Great, as great as this German count's heiresses… ), it is not strange that this Teutonic count has understood and even enjoyed Herr S. M. Eisenstein's Staroye I Novoye. It is not very usual that for the aristocracy to enjoy Bolshevist films full of proletarian demands that put private property at risk or as it happens in this case, a film about the Communist Party's policy on the subject of the collectivization of the Soviet agriculture. Normally this would be perfect gibberish for this German count, but thanks to Herr Eisenstein 's greatness and directorial talent, the hardships of the heroine of the film, Dame Marfa ( Dame Marfa Lapkina ) breached even the thick aristocratic Schloss walls. And that's one of the first remarkable aspects of this oeuvre; in spite of the political subject of the film, the powerful images and lyricism ( astonishing and beautiful shot compositions ), especially during the first part of the movie, preserve the artistic merits entirely while serving a propaganda purpose. The second remarkable aspect of the film is the dichotomy between the old and new, the fight to improve the lot of Dame Marfa and her countrymen. There are many discussions because it is not easy even in Russia to change ancient and conservative customs. There are superb metaphors and social criticism ( illiteracy, bureaucracy, religiosity ) which perfectly fit the film, and last but not least, Staroye I Novoye, is a kind of archaic documentary about ancient customs established deeply in old Russia, those ones that our heroine must fight against. And there is also a lot about agriculture ( very enlightening for this German count), especially about harvesting and how to fatten Russian cows or pigs ( literally, no pun here… ). Herr Eisenstein had to bear during the last era of his film career, unbelievable censorship and mutilation of his work, as happens with Staroye I Novoye. The film was reedited and Eisenstein accused of sympathizing with Trostky's policies but fortunately the film was restored and showed by the German-frenchified t.v. channel ARTE, natürlich!, including an evocative music score by Herr Taras Bujewski, that fits superbly Herr Eisenstein primal artistic interests. And now, if you'll allow me, I must temporarily take my leave because this German Count must buy a tractor for one of his Teutonic heiress.
備注:已完結(jié)
類型:劇情片
主演:維多利亞·阿夫里爾 瑪麗薩·帕雷德斯 米格爾·波塞 安娜·莉莎蘭 克里
導(dǎo)演:佩德羅·阿莫多瓦
語言:西班牙語
年代:未知
簡介:[在蕾貝嘉(維多利亞·阿布里爾VictoriaAbril飾)的童年時(shí)期,作為當(dāng)紅歌手的母親(瑪麗莎·佩雷德斯MarisaParedes飾)就為了事業(yè)而遠(yuǎn)走他鄉(xiāng),拋下女兒獨(dú)自長大。蕾貝嘉一直想挽留母親在身邊,不惜間接害死繼父,這一切都是枉然。母親的光彩太耀眼,蕾貝嘉盡其一生去模仿追趕,想要成為母親那樣的人;同時(shí),母親的無情和永遠(yuǎn)無法超越的高度,卻令蕾貝嘉對(duì)她充滿妒和恨。她當(dāng)上了新聞主播,嫁給了母親的舊情人,力圖讓自己變得強(qiáng)大。但是母親回來后,和蕾貝嘉的丈夫愛火重生,這讓蕾貝嘉非常生氣。她一怒之下把丈夫殺死,并坦誠了自己的罪行。蕾貝嘉入獄后,母親反省自己和女兒的關(guān)系為何變成這樣。她要贖罪,要把正當(dāng)盛年的女兒從監(jiān)獄里救出來,讓蕾貝嘉繼續(xù)尋找幸福的歸宿。]
備注:已完結(jié)
類型:劇情片
主演:依萊姆·克里莫夫 Valentin Rasputin Stefaniy
導(dǎo)演:依萊姆·克里莫夫
語言:其它
年代:未知
簡介:A loving film tribute to Russian filmmaker Larisa Shepitko, who died tragically in a car accident in 1979 at the age of 40. This documentary by her husband, Elem Klimov, includes excerpts from all of Shepitko's films, and her own voice is heard talking about her life and art. Elem Klimov's grief-stricken elegy Larisa examines the life of his late wife—the film director Larisa Shepitko—through a series of direct-address interviews and photomontages, set against a mournful visual-musical backdrop. Typically, Klimov films his subjects (which include himself and several of Shepitko's collaborators) within a stark, snow-covered forest, its tangled web of trees standing in as metaphorical representation of a perhaps inexpressible suffering, the result of Shepitko's premature death while filming her adaptation of Valentin Rasputin's novella Farewell to Matyora. Interweaving home movie footage with sequences from Shepitko's work (Maya Bulgakova's pensive plane crash reminiscence from Wings takes on several new layers of resonance in this context), Larisa's most powerful passage is its first accompanied by the grandiose final music cue from Shepitko's You and I, Klimov dissolves between a series of personal photographs that encompass Larisa's entire life, from birth to death. This brief symphony of sorrow anticipates the cathartic reverse-motion climax of Klimov's Come and See, though by placing the scene first within Larisa's chronology, Klimov seems to be working against catharsis. The pain is clearly fresh, the wound still festering, and Klimov wants—above all—to capture how deep misery's knife has cut.
備注:已完結(jié)
類型:劇情片
主演:Konstantin Lavronenko Andrey Feskov
語言:其它
年代:未知
簡介:2013年,世界政府全面廢除死刑,監(jiān)獄擠滿了暴力與逃亡者之時(shí),國際團(tuán)體打造一個(gè)新實(shí)驗(yàn)稱作冰魔島,一個(gè)位在北冰洋的偏僻小島。在這里,所有的囚犯都是居民,沒有警衛(wèi)看守,犯人們必須學(xué)習(xí)生存三個(gè)月… 所有的犯人開始焦躁不安并起了糾紛,他們分成不同派系互相仇敵,在管理員丟下鑰匙離開後,整座島上無人看守,犯人們?yōu)榱藸帄Z食物大開殺戒,每個(gè)派系的囚犯建造了屬於他們自己的監(jiān)獄規(guī)則,在管轄范圍里反抗者就是死! 伊凡喬吉維奇 - 是個(gè)殺了二十個(gè)人的連續(xù)殺人犯,他決定自行開創(chuàng)他們的路,但是當(dāng)冬天來臨,他發(fā)現(xiàn)他們無法活著回去,最後似乎只有一個(gè)方法可行.......