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備注：已完結(jié)
類型：泰劇
主演：Kangsom Tanatat Chaiyaat Aof Pongsa
導(dǎo)演：未知
語(yǔ)言：泰語(yǔ)
年代：未知
簡(jiǎn)介：天府泰劇 搞笑情景喜劇《夏日菊花茶》 泰語(yǔ)原名：???? ???? ???? 泰語(yǔ)名原意：老虎 長(zhǎng)臂猿 鹿 引申意思：兇猛饑渴的男人 賤人婊子 娘娘腔Gay之類的 主要講述了三個(gè)大學(xué)時(shí)代的老友重逢之后的各種搞笑故事 =Tum 獵艷虎=Kangsom飾演 Tum （泰 國(guó)選秀歌手） =Chatree 騷騷虎=Aof Pongsak 飾演Chatree （泰國(guó)出柜男歌手） =Oil 美艷虎=YingRhatha 飾演 Oil （泰國(guó)性感女星 曾和馬里奧出演《晚娘》）
備注：已完結(jié)
類型：泰劇
主演：普提查·克瑟辛 瓦拉塔雅·寧枯哈 Kangsom Tanatat Ch
導(dǎo)演：未知
語(yǔ)言：國(guó)語(yǔ)
年代：未知
簡(jiǎn)介：在一場(chǎng)熱鬧的舞會(huì)上，英俊瀟灑前途無(wú)量的拉塔維（普提查·克瑟辛 Puttichai Kasetsin 飾）邂逅了含著金湯匙出生的千金大小姐夢(mèng)提拉（瓦拉緹雅·妮枯哈 Warattaya Nilkuha 飾），門(mén)當(dāng)戶對(duì)旗鼓相當(dāng)?shù)膬扇撕芸炀妥叩搅艘黄?。雅思特（Kangsom Tanatat Chaiyaat 飾）的父親是拉塔維家資歷最老的傭人，他從小就和拉塔維一起玩耍一起長(zhǎng)大，如今的他成為了拉塔維的司機(jī)?！ ⊥瑯拥?，維拉卡（莫茶諾·欣彩萍翩 Monchanok Saengchaipiangpen 飾）是夢(mèng)提拉最喜歡的女仆，她和雅思特在機(jī)緣巧合之下相識(shí)相愛(ài)了。然而，他們的愛(ài)情卻被蒙蔽在謊言之下，維拉卡以為雅思特是富家公子，維拉卡也常常偷穿女主人的衣服來(lái)塑造自己虛假的形象。
備注：已完結(jié)
類型：泰劇
主演：查溫洛·里奇查力安沙功 彭沙貢·翁皮安 加圖蓬·丹古來(lái) 金納·披吉·奧
導(dǎo)演：克里迪德·辛杰西里
語(yǔ)言：泰語(yǔ)
年代：未知
簡(jiǎn)介：Tawan是一位醫(yī)生，Mork是一個(gè)摩托車(chē)司機(jī)。醫(yī)生經(jīng)常雇Mork載他去男朋友的公寓，所以兩個(gè)人的關(guān)系很近。 有一天，Mork讓醫(yī)生遲到了約會(huì)，無(wú)意間卻讓醫(yī)生發(fā)現(xiàn)被男友欺騙了。這之后，醫(yī)生和男朋友分手， 他和Mork的距離卻越來(lái)越近了。 這是一個(gè)始于乘客和司機(jī)的友情和愛(ài)情故事。
備注：已完結(jié)
類型：喜劇片
主演：Natthawut Saenyabut Thanwaporn Naso
導(dǎo)演：Surasak Pongson Thiti Srinual
語(yǔ)言：其它
年代：未知
簡(jiǎn)介：Fatures eight members of BNK48 --- Noey, Kaew, Mobile, Namneung, Kaimook, Namsai, Tarwaan and Pupe. In the movie, the girls are working on a secret special project. They have to stay in Isaan for a while. The girls have a hard time adjusting themselves into a new environment and its unfamiliar local food. They have to work on a song which combines pop and Isaan music.
備注：已完結(jié)
類型：劇情片
主演：Kenadie Jourdin 休伯·史塔普 Joke Tjalsma
導(dǎo)演：麗塔·霍斯特
語(yǔ)言：荷蘭語(yǔ)
年代：未知
簡(jiǎn)介：[長(zhǎng)著翅膀的小女孩Viegeltje（KenadieJourdin飾）被觀鳥(niǎo)愛(ài)好者Warre（HuubStapel飾）發(fā)現(xiàn)，將其帶回家，和妻子Tine（JokeTjalsma飾）一起撫養(yǎng)她。但小鳥(niǎo)孩在能振動(dòng)雙翅之后，便一直渴望和鳥(niǎo)群一起南飛，于是一段伴隨親情、友情和夢(mèng)想的冒險(xiǎn)之旅就此開(kāi)始……]
備注：已完結(jié)
類型：劇情片
主演：YaYa Gosselin Lyon Daniels 安迪·沃肯 哈拉
導(dǎo)演：羅伯特·羅德里格茲
語(yǔ)言：英語(yǔ)
年代：未知
簡(jiǎn)介： 外星入侵者綁架了地球的超級(jí)英雄，他們的孩子則被匆匆送進(jìn)政府避難所，但機(jī)智過(guò)人的青少女蜜西（Yaya Gosselin 飾）使盡各種招數(shù)，一心要拯救她的超級(jí)英雄爸爸馬可斯（Pedro Pascal 飾），為此她跟其他超級(jí)小英雄攜手合作，逃離當(dāng)局神秘的保母格拉娜達(dá)女士（Priyanka Chopra Jonas 飾）。這群孩子必須各自使出包括超強(qiáng)彈力、控制時(shí)間和預(yù)言未來(lái)在內(nèi)的力量并肩作戰(zhàn)，組成無(wú)人能敵的團(tuán)隊(duì)，才能成功救出爸爸媽媽。動(dòng)作畫(huà)面精彩且真摯動(dòng)人的《全民小英雄》由《非常小特務(wù)》、《鯊膽小英雄》導(dǎo)演 Robert Rodriguez 執(zhí)導(dǎo)，并請(qǐng)到 Boyd Holbrook、Christian Slater、Chris McDonald 及 Adriana Barraza 同臺(tái)演出。
備注：已完結(jié)
類型：劇情片
主演：Ada Ameh Beverly Osu Blossom Chukwu
語(yǔ)言：英語(yǔ)
年代：未知
簡(jiǎn)介：Set in Nigeria, Oloture is the story of a young, naive Nigerian journalist who goes undercover to expose the shady underworld of human trafficking. Unused to this brutal environment, crawling with ruthless traders and pimps, Oloture finds warmth and friendship with Blessing, Linda and Beauty, the prostitutes she lives with. However, she gets drawn into their lifestyle and finds it difficult to cope. In her quest to uncover the truth, she pays the ultimate price - one that takes her to the verge of no return.
備注：已完結(jié)
類型：劇情片
主演：Poramet Noi-um Jaruwan Somtoa Teera
導(dǎo)演：Thanit Jintanukul
語(yǔ)言：其它
年代：未知
簡(jiǎn)介：《三竹》根據(jù)真實(shí)故事改編，講述了七個(gè)正處于少年時(shí)期的學(xué)生為了逃離三竹這個(gè)鄉(xiāng)下，不惜以身試法吸食毒品。他們的老師并沒(méi)有放棄他們，反而教導(dǎo)他們，并給他們機(jī)會(huì)讓他們證明自己的存在價(jià)值和生命意義?！ ?--------------------------------------------- ??????????????????????????????????????????????????????????????????? ??????????????? ? ???????????????? ???????????? 7 ?? ?????????????????????????? ???????? ??????????????????? ???????????????????????????????????? ?????????????????????????????? ?????????????????????????? ?????????????????????????????????????????????????????????? ???????????????????????????????? ????????????????????????????????????????????????????????? 7 ??????????????????????????????????????????? ???????????? ??????????????? ??????????????????????????????????? ?????????????????????????????????? 7 ??????????????????????????? ??? ????????????????????????????????? ? ?????????????????? ???????????????????? 7 ?? ?????????????????????????????????????????????????????????????????? ?????????????????????????????????? ????????????????????????????????????????? ????????????????????????????????????????????
備注：已完結(jié)
類型：劇情片
主演：Artúr Somlay Miklós Gábor Zsuzsa Bá
語(yǔ)言：其它
年代：未知
簡(jiǎn)介：Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
