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備注:已完結(jié)
類(lèi)型:喜劇片
主演:StephanLuca MarleenLohse AnnaThalba
導(dǎo)演:TorstenWacker
語(yǔ)言:德語(yǔ)
年代:未知
簡(jiǎn)介:對(duì)于同異性的交往,外表英俊的湯姆(Stephan Luca 飾)有一個(gè)奇怪的原則,他并非不喜歡女人,只是兩人之間的親密接觸最多只能有三次,即便有著這個(gè)不可打破的原則,湯姆的身邊的女伴依然層出不窮。艾麗莎(Marleen Lohse 飾)是個(gè)漂亮女人,所以當(dāng)她第一次出現(xiàn)在湯姆的面前時(shí),湯姆就已經(jīng)鎖定了狩獵的目標(biāo)。湯姆所在的公司面臨著經(jīng)濟(jì)上的巨大危機(jī),而湯姆即將談判的生意成為了公司唯一的希望。沒(méi)想到,這次的客戶(hù)不是別人,正是曾經(jīng)和湯姆有過(guò)一段露水情緣的舊情人。以此事為契機(jī),湯姆和艾麗莎之間產(chǎn)生了隔閡。艾麗莎租的房子即將到期,無(wú)家可歸的她被湯姆收留了。當(dāng)這對(duì)恩怨頗多的男女住在同一屋檐下時(shí),會(huì)發(fā)生怎樣浪漫而有趣的事情呢?
備注:已完結(jié)
類(lèi)型:劇情片
主演:弗里達(dá)·伯恩哈德 Arnoud Bos Jelmer Chalkiop
導(dǎo)演:斯蒂芬妮·科爾克
語(yǔ)言:其它
年代:未知
簡(jiǎn)介:在孩子死產(chǎn)幾天后,羅賓的乳房開(kāi)始分泌乳汁,她無(wú)法將乳汁扔掉,于是決定捐贈(zèng),但尋找捐贈(zèng)場(chǎng)所比她預(yù)想的要困難得多,于是越來(lái)越多的乳汁開(kāi)始擠滿(mǎn)了她的冰箱和她的生活。
備注:已完結(jié)
類(lèi)型:劇情片
主演:Lee Remick Marlee Matlin Michael O&
語(yǔ)言:英語(yǔ)
年代:未知
簡(jiǎn)介:Marg Duffield (Lee Remick) is the Maine wife of Al (Joseph Sommer) whose daughter Peg (Marlee Matlin) is deaf. Peg's husband is killed in a car accident on the way to visit the Maine house, and the Duffield's take in Peg's six year old daughter, Lisa, while Peg recovers. Since Lisa is a speaking child, Marg thinks of her the way she wanted Peg to be, and seeks guardian custody. Remick's role is secondary to Matlin's, though she is presented as a tragic figure, particularly as Al refuses to help her plan to gain Lisa. Peg's deafness is said to be from a childhood case of spinal meningitis, and the teleplay by Louisa Burns-Bisogno, with story by Louisa and Tom Bisogno, reduces Remick to a textbook mother who is self-hating from guilt and therefore cannot love her own daughter. In a memorable scene, Peg angrily signs her exit to Marg, since Marg has refused to learn sign language, though Peg has learned to speak for her mother. The treatment uses the Tennesee Williams play, The Glass Menagerie, for therapy, to help Peg overcome her grief and also Marg `lose her unicorn horn' and embrace her daughter. Whilst Peg choosing to act in this play may seem an odd choice for someone grieving, what is more noticable is that Matlin is far too more glamourous to be believable as Laura. The Bisogno's include Michael O'Keefe as Dan, Peg's deceased husband's best friend and director of Actors Theatre for the Deaf, to offer Peg a new romantic interest, and thankfully she rebukes his protestations of love. Although his opinion may be influenced by his `crush', Dan tells Peg that being different is better than being normal, since the normal ones are as `common as weeds'. This philosophy reads as rather Nietzschean, on the level of artists not being restricted to the common moral code. Director Karen Arthur either has those signing also speaking or those signing being translated for the audience, though in one scene the sound of lapping waves drowns out the dialogue between Dan and Peg. She also gives Matlin some good moments, one being her scream of horror when she hears the news of the death of her husband, and another when she chases Remick down a flight of steps, hitting her.
備注:已完結(jié)
類(lèi)型:劇情片
主演:Lee Remick Marlee Matlin Michael O&
導(dǎo)演:Karen Arthur
語(yǔ)言:英語(yǔ)
年代:未知
簡(jiǎn)介:Marg Duffield (Lee Remick) is the Maine wife of Al (Joseph Sommer) whose daughter Peg (Marlee Matlin) is deaf. Peg's husband is killed in a car accident on the way to visit the Maine house, and the Duffield's take in Peg's six year old daughter, Lisa, while Peg recovers. Since Lisa is a speaking child, Marg thinks of her the way she wanted Peg to be, and seeks guardian custody. Remick's role is secondary to Matlin's, though she is presented as a tragic figure, particularly as Al refuses to help her plan to gain Lisa. Peg's deafness is said to be from a childhood case of spinal meningitis, and the teleplay by Louisa Burns-Bisogno, with story by Louisa and Tom Bisogno, reduces Remick to a textbook mother who is self-hating from guilt and therefore cannot love her own daughter. In a memorable scene, Peg angrily signs her exit to Marg, since Marg has refused to learn sign language, though Peg has learned to speak for her mother. The treatment uses the Tennesee Williams play, The Glass Menagerie, for therapy, to help Peg overcome her grief and also Marg `lose her unicorn horn' and embrace her daughter. Whilst Peg choosing to act in this play may seem an odd choice for someone grieving, what is more noticable is that Matlin is far too more glamourous to be believable as Laura. The Bisogno's include Michael O'Keefe as Dan, Peg's deceased husband's best friend and director of Actors Theatre for the Deaf, to offer Peg a new romantic interest, and thankfully she rebukes his protestations of love. Although his opinion may be influenced by his `crush', Dan tells Peg that being different is better than being normal, since the normal ones are as `common as weeds'. This philosophy reads as rather Nietzschean, on the level of artists not being restricted to the common moral code. Director Karen Arthur either has those signing also speaking or those signing being translated for the audience, though in one scene the sound of lapping waves drowns out the dialogue between Dan and Peg. She also gives Matlin some good moments, one being her scream of horror when she hears the news of the death of her husband, and another when she chases Remick down a flight of steps, hitting her.