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備注：已完結
類型：愛情片
主演：艾米莉·考克斯 Valentin Postlmayr 塔蒂阿娜·保霍福
導演：迪特爾·貝爾訥
語言：其它
年代：未知
簡介： 她的情史是一部歐洲藝術史 世人說她是維也納最知名的風流寡婦，從馬勒、葛羅培斯、克林姆至柯克西卡，全都拜倒在她的石柳裙下，她的美麗是男人追尋的繆斯；她的自由奔放、恣意縱情是藝術家創(chuàng)作的泉源，她是古斯塔夫?馬勒的遺孀愛爾瑪?馬勒。馬勒說「一個家只能有一個作曲家」於是她隱藏自己的音樂天分，在婚後扮演賢內(nèi)助，直到馬勒離世，她仍堅守著「馬勒之妻」的名份。1912年的春天，愛爾瑪邂逅了青年藝術家奧斯卡?柯克西卡並且墜入愛河，傳世鉅作「風中的新娘」於是誕生。然而，在兩人愛得難分難捨之際，愛爾瑪也同時與德國建築師情人華特?葛羅培斯藕斷絲連。周旋在眾情人之間，她熱烈地愛著每一個情人，卻從未有誰能完完全全擁有全部的她。於是，男人對她的癡迷化為創(chuàng)作的養(yǎng)分，在與她相愛的日子裡，他們的藝術生涯也到達了顛峰。
備注：已完結
類型：恐怖片
主演：MortenBurian SidselSiemKoch Fedjava
導演：克里斯蒂安·塔夫德魯普
語言：英語 / 丹麥語 D
年代：未知
簡介：“Speak No Evil,” directed by actor-turned-helmer Christian Tafdrup, follows a Danish family who befriends a Dutch family while on vacation in Toscana. Months later, the Danish couple goes to visit the Dutch for the weekend and find themselves trapped in the Dutch family’s wooden house.
備注：已完結
類型：愛情片
主演：喬奇姆·弗杰爾斯特魯普 Rosalinde Mynster 安德斯·帕
語言：其它
年代：未知
簡介： 作家米婭與單身父親埃米爾相愛后，兩人為了要孩子接受了生育治療，他們的幸福生活也因此受到了考驗。
備注：已完結
類型：動畫片
主演：Aditya Raj Sharma Harjeet Walia Upl
導演：Ashwin Kumar
語言：坎納達語 Kanna
年代：未知
簡介：惡魔希蘭亞卡希普（Hiranyakashyap）尋求向毗濕奴（Vishnu）復仇，并宣稱自己是神。然而，他的兒子帕拉拉德（Prahlad）始終虔誠地信奉毗濕奴。毗濕奴化身為那羅辛哈（Narsimha），擊敗了惡魔并恢復了平衡。
備注：已完結
類型：歐美動漫
主演：米克·溫格特 弗雷德·塔特西奧 凱瑞·華格倫 詹姆士·謝 Max Ko
導演：Juan Jose Meza-Leon Mike Mullen Gabe Swarr Luther McLaurin Jim Schumann Lane Lueras
語言：英語
年代：未知
簡介：電視劇版《功夫熊貓》集中講述了熊貓阿寶在成為“神龍大俠”不久后又面對的重重艱難考驗，劇情將填補兩部電影版《功夫熊貓》之間的空隙，人物設定將沿用電影版，“中國元素”仍將成為其亮點。此外，電視劇版《功夫熊貓》中將出現(xiàn)不少新角色，“他們大都是反派，功夫蓋世，對阿寶造成不小的威脅?！?/p>
備注：已完結
類型：歐美動漫
主演：米克·溫格特 弗雷德·塔特西奧 凱瑞·華格倫 詹姆士·謝 Max Ko
導演：Juan Jose Meza-Leon Mike Mullen Gabe Swarr Luther McLaurin Jim Schumann Lane Lueras
語言：英語
年代：未知
簡介：電視劇版《功夫熊貓》集中講述了熊貓阿寶在成為“神龍大俠”不久后又面對的重重艱難考驗，劇情將填補兩部電影版《功夫熊貓》之間的空隙，人物設定將沿用電影版，“中國元素”仍將成為其亮點。此外，電視劇版《功夫熊貓》中將出現(xiàn)不少新角色，“他們大都是反派，功夫蓋世，對阿寶造成不小的威脅?！?/p>
備注：已完結
類型：劇情片
主演：Ib Koch-Olsen
導演：卡爾·西奧多·德萊葉
語言：其它
年代：未知
簡介：The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown. Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath. The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. L?nborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus (The Church Is an Old House), which was distributed to the members of the committee for their comments. In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merl?se Church. On 4 July, Dreyer went in advance to Ringk?bing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast. Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive. The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.
備注：已完結
類型：劇情片
主演：拉斯·艾丁格 戈德哈爾德·吉瑟 Valerie Koch
導演：愛德華·貝爾格
語言：其它
年代：未知
簡介：斯特凡、茱莉亞和托比亞斯這三個兄弟姐妹過著舒適的中產(chǎn)階級生活。從表面上看，他們做得很好，但所有三個人都越來越意識到他們的生活中存在著差距，有些事情不對勁，有些事情必須改變。41歲的斯特凡是一位成功的飛行員，一位真正的女士；到目前為止，他一直過著無憂無慮的享樂主義者的生活。但是突然之間，他的健康狀況就不復存在了；而且，與他在早先的一樁婚外情中所生的女兒維姬的一次邂逅使他偏離了軌道。44歲的茱莉亞和丈夫在意大利度假時，開始照顧一只被車撞的街頭狗。突然，她兒子去世的痛苦追上了她。34歲的托比亞斯嫁給了一位職業(yè)女性。他一直在照顧他們的三個孩子，似乎無法完成學業(yè)；現(xiàn)在他的兄弟姐妹決定他也應該照顧他們生病的父親?！ 鄣氯A·伯杰的電影描繪了三個人尋找幸福和內(nèi)心平靜。由于這三個集中的性格研究，形象出現(xiàn)了一個不安全的一代在一個快速變化的世界。 The three siblings Stefan, Julia and Tobias lead comfortable middle-class lives. Outwardly, they are doing well, but all three are becoming more and more aware that there are gaps in their lives, that something is not right, and that something has to change. Stefan, 41, is a successful pilot and a real ladies man; up to now he has always led the life of a carefree hedonist. But suddenly his health will not play along anymore; moreover, an encounter with his daughter Vicky, whom he fathered in an earlier affair, throws him off course. While holidaying in Italy with her husband, Julia, 44, begins taking care of a street dog that’s been hit by a car. All of a sudden the pain of her son’s death catches up with her. Tobias, 34, is married to a career-orientated woman. He has been taking care of their three children and cannot seem to finish his studies; now his siblings have decided that he should also take care of their sick father. Edward Berger’s film portrays three people in search of happiness and inner peace. As a result of these three concentrated character studies, the image emerges of an insecure generation in a rapidly changing world.
