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備注：已完結(jié)
類型：劇情片
主演：瓦妮莎·雷德格雷夫 蒂莫西·斯波 史蒂芬·洛德 溫迪·摩根 邁爾斯·基
導(dǎo)演：阿德里安·諾布爾
語言：英語
年代：未知
簡介：他那咄咄逼人的控制狂母親 成就了二十世紀(jì)英國最偉大的畫家之一 L.S. 洛瑞是二十世紀(jì)英國最偉大的國民畫家之一，獨(dú)特的畫風(fēng)深受英國民眾喜愛。但是他的畫作在早期卻遭藝術(shù)評(píng)論家嘲笑為出自兒童之手，因?yàn)樗P下的人物，頭大大，身體細(xì)細(xì)，就像一根根的火柴棒一樣，被稱為“火柴男人”。雖然說洛瑞的母親伊莉莎白女士，一生都在阻擾他的藝術(shù)事業(yè)，但是洛瑞之所以能夠成為優(yōu)秀的畫家，卻不得不歸功于他的母親。在他父親去世之后，洛瑞負(fù)責(zé)照顧臥病在床的母親，每每等到她入睡了才在閣樓開始作畫，全心全意，甘之如飴。抑鬱寡歡的伊莉莎白總是叨叨念著她對(duì)兒子的不滿與失望，洛瑞卻終其一生都在追尋著如何讓母親快樂，他的生活與他的畫作都渴望著母親的認(rèn)同。本片由知名皇家莎士比亞劇場前任總監(jiān)亞德里安．諾布爾擔(dān)任導(dǎo)演，找來坎城影帝提摩西司伯飾演這位偉大的畫家，以及坎城影后凡妮莎蕾格烈芙飾演控制狂的母親。兩人精湛的演技，演活了這對(duì)諷刺卻又帶幽默的母子。 「煙囪林立以及冒著黑煙的天空，火柴男子出現(xiàn)在一成不變的工業(yè)景觀裡踽踽獨(dú)行?！孤迦鸬淖髌芳o(jì)錄了后工業(yè)化的英國城市景觀，以及人們的疏離，直到現(xiàn)在，仍能引起共鳴。他在晚年被皇家藝術(shù)學(xué)會(huì)及曼徹斯特學(xué)院延攬，作品曾以370萬英鎊高價(jià)售出。他多次拒絕了英國首相頒發(fā)的勳章，并拒絕了勳爵的封號(hào)。
備注：已完結(jié)
類型：恐怖片
主演：索菲·瓦瓦塞爾 史蒂芬·比靈頓 RichardFelix 喬·安妮·斯
導(dǎo)演：ManuelCarballo
語言：英語
年代：未知
簡介：正值青春期的少女艾瑪（蘇菲·瓦瓦希爾 Sophie Vavasseur 飾）因小事與父母發(fā)生爭吵，繼而用玻璃碎片割破自己的手掌。在此之后，父母子女的關(guān)系雖有所松動(dòng)，但是新的危機(jī)已悄悄展開。艾瑪是不是會(huì)做出些奇怪的舉止，這令父母異常擔(dān)心，于是只得將艾瑪留在家中接受教育。期間他們嘗試帶女兒去看具有催眠本領(lǐng)的心理醫(yī)生，誰知醫(yī)生最終猝死艾瑪?shù)南ド?。艾瑪自感自己已被魔鬼附體，因此不顧崇尚科學(xué)的父母的反對(duì)，執(zhí)意求助于因驅(qū)魔失敗而被革除神職的舅舅基斯（道·布萊德利 Doug Bradley 飾）。
備注：已完結(jié)
類型：劇情片
主演：埃瑪·蘇亞雷斯 埃爾南·門多薩 Ivan Cortes Joanna
導(dǎo)演：米歇爾·弗蘭克
語言：西班牙語
年代：未知
簡介：[第70屆戛納電影節(jié)(2017)一種關(guān)注單元評(píng)審團(tuán)獎(jiǎng)獲獎(jiǎng)作品，影片講述了一個(gè)懷孕了的17歲少女Valeria，和她同父異母的姐姐共同生活，雖然Valeria并不想要長期缺席在她生命中的母親但是當(dāng)她發(fā)現(xiàn)自己懷孕并且馬上要為一個(gè)嬰兒擔(dān)負(fù)起責(zé)任，她決定告訴她的母親。隨著女兒的到來，我們也很快就能知道為什么Valeria想遠(yuǎn)離她的母親…]
鏡子的另一面：紐波特民歌藝術(shù)節(jié)1963~1965
備注：已完結(jié)
類型：劇情片
主演：BobDylan JoanBaez JudyCollins
導(dǎo)演：MurrayLerner
語言：英語
年代：未知
簡介："Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his command of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly becoming. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without comment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are committed and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.
備注：已完結(jié)
類型：劇情片
主演：巴巴拉·萊涅 亞歷克斯·布倫德穆爾 瑪麗薩·帕雷德斯 佩特拉·馬丁內(nèi)斯
導(dǎo)演：海梅·羅薩萊斯
語言：西班牙語 / 加泰羅
年代：未知
簡介：[暫無信息]
備注：已完結(jié)
類型：恐怖片
主演：鮑比·坎波 珊特爾·范圣滕 尼克·扎諾 海雷·韋伯 麥凱爾泰·威廉遜
導(dǎo)演：大衛(wèi)·R·艾里斯
語言：英語
年代：未知
簡介：尼克（鮑比?坎波 Bobby Campo 飾）攜女友洛麗（珊特爾?范圣藤 Shantel VanSanten 飾）和朋友亨特（尼克?扎諾 Nick Zano 飾）及女友簡妮（海莉?魏波）到賽車場觀看賽車表演，尼克突然預(yù)見某輛賽車將發(fā)生事故沖向人群，部分看臺(tái)坍塌，他與朋友全部喪生。驚慌失措的尼克強(qiáng)迫朋友隨他離開賽場，并驚動(dòng)了保安喬治（麥凱爾泰?威廉遜 Mykelti Williamson）及其他四位觀眾。逃過死神的尼克發(fā)現(xiàn)幸存者們紛紛在稀奇古怪的事故中喪命，而自己竟能預(yù)見死亡原因?？謶种心峥撕吐妍惽笾趩讨危噲D打破怪圈對(duì)抗死神，然而努力真會(huì)見效，宿命真能改變嗎？ 本片是《死神來了》系列的首部3D版本。
