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備注:已完結(jié)
類型:動作片
主演:Gabriel Andrews Pat Bishop Simon Ch
導(dǎo)演:Alister Smart
語言:英語
年代:未知
簡介:[暫無信息]
備注:已完結(jié)
類型:動作片
主演:AndrewTiernan MikkoLeppilampi Jouko
導(dǎo)演:MarkoM?kilaakso
語言:英語
年代:未知
簡介:1941年,第二次世界大戰(zhàn)如火如荼。是時,美軍和蘇聯(lián)軍隊(duì)分別在馬汀·斯通隊(duì)長(安德魯·蒂曼 Andrew Tiernan 飾)和涅米隊(duì)長(約克·亞赫羅 Jouko Ahola 飾)的率領(lǐng)下進(jìn)入了位于芬蘭與俄羅斯邊境地區(qū),協(xié)助芬蘭部隊(duì)殲滅敵軍。在之前的1939年, 納粹德國抓捕俄羅斯士兵進(jìn)行秘密的活體試驗(yàn)。兩年后希特勒下令中止試驗(yàn),并銷毀一切活口與證據(jù)。
備注:已完結(jié)
類型:劇情片
主演:因加·朗格里 斯蒂格·奧林 MarianneL?fgren Dagny
導(dǎo)演:英格瑪·伯格曼
語言:瑞典語
年代:未知
簡介:芳齡十八的妮莉,原本長年與養(yǎng)母同住瑞典鄉(xiāng)間,平靜的生活就從某天生母忽然來訪開始變奏。她隨著生母來到斯德哥爾摩一探究竟,大城市為她帶來從未經(jīng)歷過的體驗(yàn),也啟迪了她的愛情視野。但偏偏她的愛慕對象卻是生母的情人,母女關(guān)係猶如緊繃之弦,悲劇是否註定發(fā)生?影片當(dāng)時雖然票房不佳,卻是柏格曼初執(zhí)導(dǎo)演筒的處女作。
備注:已完結(jié)
類型:動作片
主演:劉德華 關(guān)之琳 舒淇 Thomas James Hudak Jr. 張
導(dǎo)演:劉偉強(qiáng)
語言:粵語 / 英語
年代:未知
簡介:[衛(wèi)斯理(劉德華)是聯(lián)合國外星生物分析局的特別成員,負(fù)責(zé)處理地球上一切和外星生物有關(guān)的事件。某次在古董店參觀一塊奇異的藍(lán)色“人骨”時,衛(wèi)斯理遇到少時曾有過一面之緣的、外表看來和一般美女無異的、血液是藍(lán)色的外星人方天涯(關(guān)芝琳),當(dāng)他想將其留住時,方天涯消失了。古董店附近發(fā)生了一宗外星生物突襲事件,美國隸屬FBI的外星生物調(diào)查機(jī)構(gòu)接到上級命令,派出隊(duì)中精英白素(舒淇)和白奇?zhèn)ィ◤堃珦P(yáng))兄妹領(lǐng)隊(duì)到現(xiàn)場調(diào)查,眾人與具有A級戰(zhàn)斗力的外星生物展開交戰(zhàn)。聞得風(fēng)聲的衛(wèi)斯理也前來助陣,無奈不敵強(qiáng)大的敵手身受重傷,方天涯及時現(xiàn)身以奇異力量救出衛(wèi)斯理,兩人就此開始一段離奇情緣。]
備注:已完結(jié)
類型:動作片
主演:劉德華 關(guān)之琳 舒淇 ThomasJamesHudakJr. 張耀揚(yáng)
導(dǎo)演:劉偉強(qiáng)
語言:粵語 / 英語
年代:未知
簡介:衛(wèi)斯理(劉德華)是聯(lián)合國外星生物分析局的特別成員,負(fù)責(zé)處理地球上一切和外星生物有關(guān)的事件。某次在古董店參觀一塊奇異的藍(lán)色“人骨”時,衛(wèi)斯理遇到少時曾有過一面之緣的、外表看來和一般美女無異的、血液是藍(lán)色的外星人方天涯(關(guān)芝琳),當(dāng)他想將其留住時,方天涯消失了。
備注:已完結(jié)
類型:劇情片
主演:威廉·霍爾登 莉莉·帕爾默 休·格里夫斯 Carl Raddatz E
導(dǎo)演:喬治·希頓
語言:英語
年代:未知
簡介:1942年,生活在斯德哥爾摩的瑞典籍美國石油商人埃里克?埃里克森突然發(fā)現(xiàn)自己上了美國的納粹合作者黑名單,急于辨白。而這一切是盟軍情報(bào)機(jī)關(guān)的安排,意在逼迫埃里克成為間諜,因?yàn)樗梢苑奖愕剡M(jìn)出德國。無奈的埃里克只得就范,他開始公開表現(xiàn)親近納粹,甚至不惜傷害最親密的猶太人朋友坎普爾。朋友和親人們都疏遠(yuǎn)了他,但只有坎普爾暗中相信埃里克這樣做必有難言的原因?! 『芸?,埃里克就和德國人拉上了關(guān)系,并將德國石油業(yè)巨頭格哈德?奧倫道夫爵士、石油商人奧托?豪茲拉下水,組成一個間諜小組,他的代號為“萊德”?! ⊥瑫r,埃里克與篤信宗教的德國地下抵抗組織成員瑪麗亞娜取得聯(lián)絡(luò),喬裝成情人幽會,騙過監(jiān)視的蓋世太保,不斷將她提供的情報(bào)記憶下來后帶回瑞典。埃里克與瑪麗亞娜為了事業(yè)均是家庭不幸,兩個人傾心相戀。埃里克雖是諜海新兵,但他沉著堅(jiān)毅,多次避過危險?! ≡趭W倫道夫的努力下,埃里克獲準(zhǔn)在瑞典為德國“建設(shè)”煉油廠,于是得到了參觀德國石油工廠的機(jī)會,一次,埃里克與奧倫道夫目睹納粹絞死罷工工人的場面,被深深觸動,開始由被迫工作轉(zhuǎn)向自覺行動。他們的情報(bào)使盟軍得以準(zhǔn)確轟炸,令德國損失慘重?! ∫欢螘r間后,奧托因病去世,由于密信可能泄露,盟軍情報(bào)機(jī)關(guān)決定停止埃里克小組的活動。但埃里克惦念瑪麗亞娜,同時也為了取回至關(guān)重要的納粹航空燃料生產(chǎn)情報(bào),他毅然再次前往德國。埃里克一到柏林就被關(guān)進(jìn)蓋世太保監(jiān)獄,并親眼看到因身份暴露被捕的瑪麗亞娜殉難。但他強(qiáng)忍悲痛,咬定自己只是瑪麗亞娜的情人,蓋世太保沒有證據(jù)只好放人?! “@锟藦母窆绿幠玫角閳?bào),又前往漢堡銷毀奧托的密信,不料被跟隨的蓋世太保察覺。埃里克機(jī)智逃脫,并與漢堡的盟國諜報(bào)網(wǎng)取得聯(lián)系,在地下組織和丹麥百姓的幫助下,埃里克越過邊境,經(jīng)哥本哈根渡過海峽,安全返回瑞典。
備注:已完結(jié)
類型:愛情片
主演:希拉里·斯萬克 科洛·塞維尼 彼得·薩斯加德 布蘭登·薩克斯頓 艾麗西
導(dǎo)演:金伯莉·皮爾斯
語言:英語
年代:未知
簡介:布蘭頓(希拉里?斯萬克 Hilary Swank 飾)來到法奧斯城,成為了當(dāng)?shù)氐拇蟊娗槿?,很受女性歡迎。然而他卻有著不為人知的隱秘——俊男本是女兒身?!八钡恼婷械倌龋恢睂ψ约菏莻€女性缺失認(rèn)同。他喜歡成為男性,并決定來到這個陌生的城市開始新角色和新生活。 布蘭頓和當(dāng)?shù)嘏⒗龋坡?塞維尼 Chlo? Sevigny 飾)戀愛了,還和拉娜的前男友成為好友——盡管他們粗野、酗酒,行為暴戾,但被接納的布蘭頓卻得到了認(rèn)同感。生活朝著布蘭頓想要的方向發(fā)展,一次交通違章卻暴露了所有的秘密。布蘭頓被識破女兒身,盡管拉娜原諒了她,悲劇卻發(fā)生了。拉娜的前男友對布蘭頓怒不可遏,將她摧毀在一場殘忍的暴力事件中。
備注:已完結(jié)
類型:愛情片
主演:羅薩諾·布拉齊 米基·蓋納 約翰·克爾 雷·沃爾斯頓 JuanitaH
導(dǎo)演:喬舒亞·洛根
語言:英語 / 法語
年代:未知
簡介:《南太平洋》背景為二次世界大戰(zhàn)美國海軍占領(lǐng)南太平洋一小島之時;島上最有錢的迪貝克戰(zhàn)前已前土著女子結(jié)婚生下兩子,但孩子的母親去世得早。海軍少尉護(hù)士奈莉.佛布許來自保守的阿肯色州小鎮(zhèn),愛上了迪貝克,但因?yàn)槠涠€混血兒拖油瓶,不禁略略猶疑。她對迪貝克傾心不已,但面對母親嚴(yán)來信,只得狠心拒絕。島上另外一個大出風(fēng)頭的人物是萬事通型的“血腥瑪麗”廣受美國駐軍歡迎;一個來自費(fèi)城的蓋博中尉對瑪麗的女兒莉亞深有好感,但是也顧慮其土著身份;瑪麗以一首小島情歌替女兒做了媒,使蓋博捐棄了成見,熱情揮灑熱情。但隨著兩段異國戀情越形白熱,結(jié)婚成家的壓力也越來越明顯;迪貝克在向奈莉求婚被拒后自愿與蓋博深入戰(zhàn)區(qū)探軍情;蓋博中彈身亡,迪貝克亦一度失蹤,使得奈莉認(rèn)清她對迪貝克的感情;她日夜陪伴迪貝克的幼子女,與他們培養(yǎng)出感情,更對自己將迪貝克逼上敵陣后悔不已。幸虧迪貝克安然返歸,有情人...
備注:已完結(jié)
類型:喜劇片
主演:Matthew Broderick Jeanne Tripplehor
導(dǎo)演:沃倫·萊特
語言:英語
年代:未知
簡介:Sam (Matthew Broderick) is the reasonable man in a crazy urban world, the man of thoughtfulness and refined taste in a landscape of Leroy Neiman paintings and beer commercials. The guy would sooner cook for an hour over a hot stove than say `supersize it.' By day he's a store clerk in an upscale gourmet eatery, and these scenes raise a smile, especially for anyone who's visited the actual chain in New York City -- the portrayal isn't far off from the reality. Our man is besieged by hoards of customers who want their imported French cheese cut to impossibly exact standards. His efforts to remain outwardly polite (while you know he'd like to take the cleaver to the relentless clientele) are pretty funny, and will warm the hearts of clerks everywhere. In general, Broderick is in good form and provides the movie with most of whatever lightness it possesses. Sciorra's lovelorn dental hygienist, Ellen, is fine enough, too, and her unknowing interaction with our cheese-slicing hero shows some hopeful chemistry, and you may begin to feel you want to see these two get together. One of the main competitors for our lady's affections, a stockbroker (Kevin Anderson), is played as caricature he's the beer swilling frat-boy whose idea of after-sex sensitivity is flipping on the football game. He's kind of funny at times, but the movie might be stronger if he was written or acted for us to like him more, instead of having us merely recognize him as the flat-out `wrong' guy in comparison to Broderick's sensitive man. Think of John Candy in Splash, taking a cigarette and beer can to the racquetball game; we know his lifestyle is not the one our hero should emulate, but we can't help but be charmed by the likeable goon. Whereas this character is merely a goon, and pretty unlikable all around. While it's a nice enough light movie for the first half, for me the story was somewhat derailed by its unbelievable (Hollywood) presentation of sex and adultery. (SPOILER AHEAD, skip to next paragraph.) When Ellen returns home after an evening's misadventures, she is naturally faced with the questioning husband (Michael Mantell). Quickly admitting her own indiscretion, she then immediately turns the situation around, demanding to know why the guy had gone ahead and bought a house without discussing it. Granted, it's a valid issue, and granted, many people use this countering maneuver in arguments. What's unbelievable is what happens next the guy starts responding to her question, addressing the house-issue in a quiet, thoughtful manner. WHOA. You'd be hard pressed to find a married person in the world who, when faced with hisher partner's totally unexpected adultery, would be ready to address anything so calmly. The guy would surely be bouncing off the walls, or else crushed into silence and tears - but see, then we might actually feel for the poor schnook, and we'd see Sciorra's character in a poor light. And since that particular audience reaction doesn't serve the romantic comedy, the story tries to sneak around it. You may start to feel that, like the husband, you're being taken. Further dissatisfaction is just around the corner in the ending. We realize this is where misunderstandings will get sorted out, and our couple will finally see a clear path to one another. We want the satisfaction of rooting for them. But it's marred by another unbelievable character reaction, followed by an abrupt conclusion that feels rushed and forced, too easy and unearned. You may feel as though the movie's cheating on you again...