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備注：已完結(jié)
類型：劇情片
主演：丹尼爾·希梅內(nèi)斯·卡喬 帕特里夏·雷耶斯·斯平多拉 瑪爾·卡雷拉 Al
導(dǎo)演：奧圖羅·利普斯坦
語言：西班牙語
年代：未知
簡介：色衰愛弛，欲望卻不肯老去；記憶衰退，妒忌仍未許忘掉。她依舊沉默，在探戈的試探中尋覓愛與被愛的感覺；他繼續(xù)怒憤，在情婦懷里渴求妻子的慰藉。老夫妻由互相深愛變?yōu)楸舜苏勰ィв诟髯缘墓录?。女兒已離巢遠(yuǎn)去，留...
備注：已完結(jié)
類型：喜劇片
主演：亞當(dāng)·迪康 珍妮弗·桑德斯 丹尼·薩帕尼 彼得·塞拉菲諾威茨 艾德·希
導(dǎo)演：亞當(dāng)·迪康
語言：英語
年代：未知
簡介：一對(duì)兄弟為了還清債務(wù)和夢想來到英國倫敦，準(zhǔn)備搶劫一位嘻哈明星，結(jié)果導(dǎo)致了一系列的搞笑逃亡。
備注：已完結(jié)
類型：喜劇片
主演：胡里奧·托雷斯 蒂爾達(dá)·斯文頓 羅伯特·菲茨杰拉德·迪格斯 伊莎貝拉·
導(dǎo)演：胡里奧·托雷斯
語言：英語 / 西班牙語
年代：未知
簡介：在母親的浪漫寵愛中成長的亞歷杭卓，獨(dú)自從家鄉(xiāng)薩爾瓦多來到紐約打拼。 對(duì)設(shè)計(jì)玩具充滿熱情的他，好不容易找到理想工作，卻遇到簽證即將到期、雇主不愿續(xù)聘的遣返危機(jī)。 走投無路下，個(gè)性古怪、自信爆棚卻不入世的藝術(shù)家之妻，成為他續(xù)留的最后希望。 面對(duì)她的各種無知發(fā)言和無理要求，天真呆萌的亞歷杭卓是否終能熬出自己的一片天？
備注：已完結(jié)
類型：喜劇片
主演：Edoardo Leo Peppe Barra Stefano Fre
語言：其它
年代：未知
簡介：自從皮特羅吉尼的團(tuán)伙在Sopox生產(chǎn)實(shí)驗(yàn)室被抓之后，他們被關(guān)到了不同的監(jiān)獄。在天堂皇后監(jiān)獄，皮特羅一直提醒當(dāng)局一個(gè)瘋子合成了神經(jīng)毒氣而且準(zhǔn)備進(jìn)行一場屠殺，但沒有人相信他。因此他想辦法轉(zhuǎn)到萊比比亞監(jiān)獄只為見到掌握重要線索的穆萊那。之后皮特羅想把所有由大學(xué)研究員組成的團(tuán)伙重 新召集在一起……
備注：已完結(jié)
類型：喜劇片
主演：Kurt·Welin 瑪?shù)贍柕隆つ釥柹?/a> Emil·Helsengree
導(dǎo)演：卡爾·西奧多·德萊葉
語言：瑞典語,丹麥語
年代：未知
簡介：卡爾·西奧多·德萊葉這部喜劇引出心靈流變的軌跡，并在喜劇形式表現(xiàn)中要求夸張的轉(zhuǎn)折與表演方式。他的簡單主義從《總統(tǒng)》的辦公室開始到瑪格麗特夫人的屋舍，更趨向樸質(zhì)。而對(duì)容貌的描寫這里也有了開端。影片中的騙徒，終究抵抗不了良心的責(zé)備以及虛假婚姻阻隔與女友之間的真情。但有趣的是，被騙的老婦卻早已察覺他的不懷好意但又絕非惡徒。反而是外力最后促使內(nèi)在的圓滿。
備注：已完結(jié)
類型：劇情片
主演：Greta Almroth Arvid Dahlberg 約翰·?？寺?/a>
導(dǎo)演：莫里茲·斯蒂勒
語言：其它
年代：未知
簡介：“Sangen Om Den Eldr?da Blomman” ( “Song Of The Scarlet Flower” ) was a recent and remarkable silent surprise for this Herr Von; the oeuvre is an excellent Herr Stiller silent film that this German count watched in a newly restored and tinted copy. It combines the well-known aesthetics, technical improvements and artistic merits for which the Nordic director was known and praised since those early silent times till today. The film tells of the merry and carefree love life of young Olof ( Herr Lars Hanson ) a woodsman who during his search for true love, seduces many frauleins ( just like this German aristocrat… well, not exactly because the purpose of this Herr Von’s seduction of rich fr?ulein heiresses are their great fortunes… ). He will suffer disappointment and deception, all those problems that turn up in any loving relationship. Finally he will find responsibility and maturity, learning during his particular quest that his actions always have consequences in different degrees to the people around him. This Herr Von can describe “Sangen Om…” as a kind of coming of age film, the special introspective growth toward maturity of a free and easy youngster. As this German count said before, the film displays Stiller’s characteristic artistic virtues. ; in the first part of the film, we can see elements of comedy, not exactly like the comedy of intrigues in other Stiller films, but humor of a more cheerful sort, highlighting the self-involvement of our hero. Olof ‘s frivolous flirtations with the different girls eventually turn romantic and then turn into drama. There is conflict in the troubled relationship between Olof and his father and later with the father of his beloved. The beautiful and wild natural landscapes of Norrland and northern Sweden lend the tale a certain power and is characteristic of Herr Stiller’s other silents where Nature emerges as an important character in the story. This is strongly reflected throughout the film but especially during the frantic scene wherein Olof descends into the troubled waters of a river, a beautiful metaphor for the hardships that our hero has to endure until he finds himself. “Sangen Om Den Eldr?da Blomman” is an excellent, beautiful film, a solid, technically perfect and intricate production of 1919 that demonstrates once again the importance of Herr Stiller for silent film history.
