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備注：已完結(jié)
類型：劇情片
主演：彼得·瓦克 茱莉婭·?？怂?/a> 巴迪·杜瑞斯 基思·普爾森 Dasha N
導(dǎo)演：Ben Hozie
語言：英語
年代：未知
簡介：Jack (Peter Vack) is an internet gambler living in NYC. After the death of his roommate, he becomes fixated on Scarlet (Julia Fox) - a cam girl from San Francisco. His obsession reaches a boiling point when fantasy materializes in reality and Jack sees Scarlet on a rainy Chinatown street.
備注：已完結(jié)
類型：劇情片
主演：ída Mekkín Hlynsdóttir Grímur Hlyns
導(dǎo)演：希尼爾·保爾馬松
語言：冰島語
年代：未知
簡介：[三個(gè)孩子在大人的幫助下，在家附近建成了一間樹屋。他們在這里靜觀日升月落，四季更迭，冰島壯麗又嚴(yán)酷的自然與他們?yōu)榘椤＿@部影片是冰島著名導(dǎo)演希尼爾·保爾馬松用了18個(gè)月，與自己的三個(gè)孩子一起完成的，正是疫情期間全球?qū)а輦兗娂娹D(zhuǎn)向家庭和自然的創(chuàng)作趨向的體現(xiàn)。影片是保爾馬松在兩部近作中的“時(shí)間蒙太奇”手法的集中體現(xiàn)，甚至可以說是一部紀(jì)錄片或者裝置-行為藝術(shù)的錄像。影片自2022年柏林國際電影節(jié)特別展映單元開始了自己的環(huán)球電影節(jié)旅行，并成為了多個(gè)媒體和影評人的2022年最佳短片之一。]
備注：已完結(jié)
類型：劇情片
語言：希伯來語
年代：未知
簡介：The issue of War widow representation in Israeli cinema is one of the most complex for the local industry for it seems to be unique and with a very local and specific iconography. The war Widow is a difficult character to digest. Because this is an especially painful topic in Israel, its mode of representation is almost always problematic. Gila Almagor in Tofano's "siege" is one of the first characters of the "modern" war widows to appear on Israeli cinema screens. The human and social complexity of the status of widows was not represented adequately and personally until her complex and fine appearance in this film. It was mostly Preceded by cliches of heroic women who have sacrificed for the nation with characters to which it was very difficult to get attached, nor to their personal grief. "Siege" was directed by an unknown Italian director of that period. Although Gilberto Tofano was brought as a professional director on the wings of inspiration made by the French New Wave of those years, he managed to turn out a very exciting work which has caught the Israeli warmth and sense of social siege which surrounds the Israeli widows, including the great expectations from them and the social stigmas. Tofano wrapped his leading lady with lots of warmth and gave a place of honor to Almagor's impressive presence in the film. This is without a doubt one of Almagor's best and most accurate performances. The restraint in her performance plus the shooting and expressive use of angles by Tofano and his soft European touch which was far off from the aggressive local product managed to produce a sense of documenting an authentic tragedy with a tangible personal touch that minimized the national dimension. The result stands the test of time proudly several decades after its creation.
備注：已完結(jié)
類型：劇情片
主演：Morgan Val Baker Georgia Ellery Mar
導(dǎo)演：馬克·詹金
語言：英語
年代：未知
簡介：康沃爾漁村的風(fēng)景明信片田園詩誤導(dǎo)了人們。雖然過去釣魚是一種養(yǎng)家糊口的方式，但如今富有的倫敦游客紛紛下山，取代了當(dāng)?shù)厝?，?dāng)?shù)厝说纳?jì)因此受到威脅。史蒂文和馬丁兄弟的關(guān)系也很緊張。馬丁是一個(gè)沒有船的漁夫，因?yàn)槭返傥拈_始用它來為一整天的游客提供更賺錢的旅游。他們賣掉了這座家庭別墅，現(xiàn)在看來，最后一場戰(zhàn)斗是和新主人在海邊的停車位上展開。然而，情況很快就失控了，而不僅僅是因?yàn)檐囕唺A鉗?！ ait是一種黑白，手工制作，16毫米膠片制作的電影。許多關(guān)于魚、網(wǎng)、龍蝦、長靴、繩結(jié)和漁籃的特寫鏡頭讓人想起了蒙太奇景點(diǎn)的理論。對不同社會(huì)階層的描述——可以說是階級(jí)關(guān)系——也讓人想起了英國電影中的社會(huì)現(xiàn)實(shí)主義傳統(tǒng)。然而，最重要的是，在影像中不同層次的電影歷史參考文獻(xiàn)之下，當(dāng)前許多政治關(guān)聯(lián)正在等待被發(fā)現(xiàn)。 The picture-postcard idyll of the Cornwall fishing village is misleading. While fishing used to be a way of supporting oneself, wealthy London tourists have now descended and are displacing the locals, whose livelihood is thus threatened. The relationship between brothers Steven and Martin is also strained. Martin is a fisherman without a boat, since Steven started using it for far more lucrative tours for all the day-trippers. They’ve sold the family cottage and now it seems that the final battle to be fought is that with the new owners over the parking space next to the sea. Yet the situation soon gets out of hand, and not just because of the wheel clamp. Bait is a black-and-white film shot on hand-processed 16mm. Numerous close-ups of fish, nets, lobsters, wellington boots, knots and catch baskets bring to mind the theory of a montage of attractions. The depiction of the different social strata – one could speak of class relations – is also reminiscent of the tradition of social realism in British cinema. Above all, however, a whole lot of current political relevance is waiting to be discovered beneath the different layers of film historical references contained in the images.
備注：已完結(jié)
類型：劇情片
主演：吉爾·吉拉爾德Gil Gerard 凱文·多布森Kevin Dobso
導(dǎo)演：弗雷德·奧倫Fred Olen Ray
語言：英語
年代：未知
簡介：孩童提米自幼喪母，困擾繁多：與繼母矛盾連連，收養(yǎng)寵物斗牛犬被禁足。然而在第二天提米卻認(rèn)識(shí)一位“心靈相通”的朋友薩摩娜——從雜技場逃出的大猩猩。 但生性活潑的大猩猩薩摩娜卻把家里搞得一團(tuán)糟，提米只好把它送到頭腦秀逗的越戰(zhàn)老兵威拉德家中，不幸的是，雜技場老板與狩獵者為了騙取保險(xiǎn)金要?dú)⑺浪_摩娜，更糟糕的是，一老一小組成的拯救二人組落入魔手，關(guān)鍵時(shí)刻，猩猩發(fā)飆了!
備注：已完結(jié)
類型：劇情片
主演：克里斯蒂安·佩蒂 Vincent Risterucci Carolin
導(dǎo)演：羅伯特·布列松
語言：法語
年代：未知
簡介：一個(gè)男孩因?yàn)橄蚋改赣懸慊ㄥX失敗，去當(dāng)了自己的手表，卻換回一張500元法郎的假鈔。之后，這張假鈔在很多人之間轉(zhuǎn)手，最后落到了一個(gè)叫伊文（克里斯琴·佩蒂 Christian Patey 飾）的年輕人手中。伊文試著去餐館花掉這張假鈔，但被服務(wù)員發(fā)現(xiàn)了。警察認(rèn)為他參與了假鈔販賣案而逮捕了他，但法官念他初犯，沒有給他判刑。伊文釋放之后，丟了工作。沒有了錢，他只好和朋友去銀行搶劫，卻又一次栽在警察手里，被抓進(jìn)監(jiān)獄，被判刑三年…… 本片是布列松的最后一部作品，改編自托爾斯泰的短篇小說《偽息券》，曾獲第36屆戛納電影節(jié)主競賽單元最佳導(dǎo)演獎(jiǎng)。
備注：已完結(jié)
類型：劇情片
主演：安娜·卡里娜 薩德·里波特 安德烈·S·拉巴爾特 吉萊娜·施倫貝格爾
導(dǎo)演：讓-呂克·戈達(dá)爾
語言：法語
年代：未知
簡介：影片講述了女主人公娜娜（安娜·卡里娜 Anna Karina飾）如何從一名普通售貨員走上賣淫道路的悲情一生。娜娜厭倦了售貨員的生活，想要成為一名演員，可命運(yùn)卻讓她陷入了出賣肉體的色情深淵。她越是深入生命的深刻意義，越是懷疑生活的本來面目。命運(yùn)輾轉(zhuǎn)，就在她終于遇見她的愛人 時(shí)，命運(yùn)又再一次跟她開了場玩笑，死在了皮條客的槍下。看似凌亂毫無關(guān)聯(lián)的章節(jié)，充滿哲理如囈語般的臺(tái)詞，為了“拯救靈魂而出賣肉體”么？影片拋擲給我們的又豈止是這一個(gè)問題。
