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備注：已完結(jié)
類型：劇情片
主演：Lena Fraifeld Yaakov Zada-Daniel Da
導(dǎo)演：米哈爾·維尼克
語言：其它
年代：未知
簡介： 姐姐克里斯蒂娜嫁到以色列，生活幸福。妹妹瓦萊里婭也在她的撮合之下來到以色列，與通過網(wǎng)絡(luò)婚介認(rèn)識的未婚夫見面。然而，在眾人相處的短短一天內(nèi)，這對姐妹開始質(zhì)疑起各自的選擇。
備注：已完結(jié)
類型：喜劇片
主演：約翰·卡薩維蒂 吉娜·羅蘭茲 西摩·卡塞爾 戴安娜·阿伯特 Leona
導(dǎo)演：約翰·卡薩維蒂
語言：英語
年代：未知
簡介：這部電影描述了一位作家哈蒙（John Cassavetes飾）和他的妹妹莎拉（Gena Rowlands飾）生命中的幾天。電影中的大部分情節(jié)都是在哈蒙的家里發(fā)生的，他們在生活中掙扎：哈蒙過著極其頹廢的生活，靠酒、煙、以及一段段短期的和女人的關(guān)系度日：或者是工作關(guān)系認(rèn)識的女人，或是娛樂場所認(rèn)識的女人。他也是一個非常不稱職的父親，把自己12歲的兒子扔在酒店的旅館里里，甚至還教他學(xué)喝酒。而他的妹妹莎拉因為她的瘋狂的言行正在和自己的丈夫離婚，她的女兒想要和父親生活在一起，這給她極大的傷害，幾乎精神崩潰。在電影的結(jié)尾，莎拉離開了哈蒙的家，和另外一個男人在一起，而哈蒙走到銀幕前給觀眾說再見，也和自己的生命告別。
備注：已完結(jié)
類型：劇情片
主演：Arik Lavie Shaike Ophir Avraham Hef
語言：希伯來語
年代：未知
簡介：A comic and episodic satire, the film uses improvisation to illustrate the clash between fantasy and reality in real life. Although conceived in the style of Mekas' "Hallelujah the hills" (1962), it's an authentically Israeli satire, an openly rebellious and individualistic expression that poked fun at the sacred myths of earlier zionist films. The technique of film within the film is used to portray cinema as reflection of the imagination, a miracle based on dreams and fantasies that take on concrete characteristics - parallel to the miracle of Israel, the dream that has become reality. Although not a commercial success, its importance is beyond any measure, though it remains a unique experiment, boldly uncommercial and subversive, out of any context in that patriotic, ideological epoch. A new immigrant, Tzelnik, arrives at the port of Jaffa. He goes to live in the Negev desert where he opens a kiosk in the middle of nowhere. Mizrachi comes along and opens a competing business across the way. The two make a living by selling to each other. As there is nothing there, they decide to create a world out of their imagination. They build a cardboard film set, which slowly takes on real dimensions- the buildings turn to concrete, people come to audition for parts in the "film" (cinema verité style, with Zohar mocking viciously the pretensions of the "actresses") and builders come to build appartment buildings (mocking the glorification of concrete and "heroic" settlement). In one sequence, Arab actors come and ask the filmmakers turn positive to negative, and they're given the role of pioneers who plow the land and sing zionist songs. The imagined world of the filmmakers becomes so real eventually they lose sight of the thin line between fantasy and reality. Along the way there are also many references to other films and genres: the samurai flicks of Kurosawa, westerns, the pop films by Richard lester, the meal scene from Tom Jones and many others. The film was made by a bunch of (very talented) friends Zohar gathered, and they shot it with their own funds, as a “collective flick”, another aspect of it that sets it apart from the rest of the production in the country.
