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備注：已完結(jié)
類型：劇情片
主演：Sara Suzanne Brown Michael Artura L
語言：英語
年代：未知
簡(jiǎn)介：Phil enjoys watching his wife Diane using her killer looks to seduce men they don't know. Diane is also thrilled by her actions, knowing that she's fulfilling her husband's voyeuristic pleasures. When she meets Mickey, she discovers that he is a man who follows no rules but his own. The games of seduction become more and more perverse, and dangerous.
備注：已完結(jié)
類型：劇情片
主演：Artúr Somlay Miklós Gábor Zsuzsa Bá
語言：其它
年代：未知
簡(jiǎn)介：Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
備注：已完結(jié)
類型：劇情片
主演：伊夫·蒙當(dāng) 艾琳·帕帕斯 讓-路易·特蘭蒂尼昂 弗朗索瓦·佩里埃 雅克
導(dǎo)演：科斯塔-加夫拉斯
語言：法語,俄語,英語
年代：未知
簡(jiǎn)介：本片講述在軍事政權(quán)創(chuàng)獨(dú)裁體制的南歐某國(guó)（影射希臘），反對(duì)政府的在野黨領(lǐng)袖Z先生在一次演講中遭人暗殺，政府當(dāng)局公布是意外車禍而死，對(duì)這理由不能置信的人們強(qiáng)烈要求查明真相。從Z先生的同事那兒打聽到種種跡象的檢察官?zèng)Q定抵抗政治壓力追查到底，終于發(fā)現(xiàn)這是一宗有計(jì)劃的政治謀殺，并牽扯出許多政界的大人物。可是后來牽涉這件命案的人不是被流放就是被處以徒刑或是被殺。加斯華憑借此片一舉成名，并開啟了政治黑幕片的新風(fēng)暴。
備注：已完結(jié)
類型：歐美劇
主演：杰夫·布里吉斯 佩吉·瓦哈達(dá)特 Artur Zai Barrera
導(dǎo)演：史蒂夫·博伊姆
語言：英語
年代：未知
簡(jiǎn)介： FX續(xù)訂杰夫·布里吉斯主演《老頭子》第二季。
備注：已完結(jié)
類型：劇情片
主演：Isabelle Weingarten 麗貝卡·保利 Jeffrey
導(dǎo)演：維姆·文德斯
語言：英語,法語,葡萄牙語
年代：未知
簡(jiǎn)介： 故事發(fā)生在葡萄牙的海邊，一個(gè)電影劇組正在這里翻拍羅杰·柯曼的名作《世界末日》，新版本的電影在拍攝過程中卻遇到了各種困難。導(dǎo)演不知道為何沒有了資金來源，電影面臨被迫停拍的命運(yùn)。導(dǎo)演試圖聯(lián)系到在洛衫機(jī)的制片人，以便可以對(duì)所有人員有一個(gè)交代，但是不知為何卻找不到人。他費(fèi)勁心思希望可以改變不得不停拍的命運(yùn)，然而，世事總不如人所料，他感到十分無奈。該片情節(jié)很簡(jiǎn)單，但是卻耐人尋味，整個(gè)電影都沉迷在一種神秘的意蘊(yùn)中。
備注：已完結(jié)
類型：科幻片
主演：塞西莉亞·羅特 Justina Bustos 瑪麗亞·皮雅爾特 Son
導(dǎo)演：Manane Rodríguez
語言：西班牙語
年代：未知
簡(jiǎn)介： 年輕時(shí)的莉莉安娜熱衷社會(huì)運(yùn)動(dòng)，與好友們紛紛走上街頭抗議獨(dú)裁政府的蠻橫無理，他們高調(diào)的抗?fàn)幮袨楹芸斓爻蔀榱苏难壑嗅?，在遭到逮捕後，政府官員的暴力凌虐及性侵造成女孩們一生不可抹滅的痛苦記憶。三十多年後，當(dāng)莉莉安娜回到故鄉(xiāng)烏拉圭參加兒子迪亞哥的婚禮時(shí)，面對(duì)兒子將她的過往視為「醜聞」而選擇疏遠(yuǎn)，莉莉安娜選擇做出了一個(gè)勇敢的決定…
備注：已完結(jié)
類型：劇情片
主演：杰拉丁·卓別林 安吉拉·摩琳娜 ángela Molina 亞力杭德拉
導(dǎo)演：卡爾森·亨寧
語言：西班牙語
年代：未知
簡(jiǎn)介： 九十歲的老記者（MarcoAntonioTrevi?o飾）要迎來自己的壽辰，于是致電老朋友——妓院老鴇羅薩（GeraldineChaplin飾），要求她為自己找一個(gè)處女過夜。一位年輕的女工（AlejandraBarros飾從此進(jìn)入老人的生活，白天，她在工廠縫扣子，晚上，她穿過半個(gè)城市來到妓院，裸露睡下供老人把玩，在他面前始終昏迷不醒。老人把她叫作德爾加蒂娜，慢慢發(fā)覺自己愛上了她，在沉睡的她面前，他回憶起自己一生的所有風(fēng)流荒唐，家里的洗衣婦，訂過婚又被他拋棄的女孩，夜夜笙歌的妓院美景……他越來越發(fā)覺自己已經(jīng)離不開德爾加蒂娜，而她在他睡著后也會(huì)偷偷觀察他的一切，對(duì)他頗有好感，但是一場(chǎng)意外發(fā)生的兇殺案令妓院被迫關(guān)閉，德爾加蒂娜就此不見，老人開始發(fā)瘋尋找……
備注：已完結(jié)
類型：歐美劇
主演：吉娜·貝爾曼 克里斯蒂安·凱恩 邁克爾·馬西尼 貝絲·涅斯格拉夫 阿麗
導(dǎo)演：貝絲·涅斯格拉夫 埃麗卡·沃森 瓦萊麗·韋斯
語言：英語
年代：未知
簡(jiǎn)介：在第三季中，團(tuán)隊(duì)與一個(gè)偷取人們地下清潔水源并將其變?yōu)轶a臟金錢的權(quán)力掮客展開對(duì)抗，與一個(gè)在小鎮(zhèn)中既是法官又是陪審團(tuán)的市長(zhǎng)斗智斗勇，設(shè)法躲避一個(gè)在騙局中半路追上他們的目標(biāo)，智斗一個(gè)兼營(yíng)國(guó)際敲詐的臺(tái)球高手，并揭露一個(gè)剝削童工的工業(yè)家。與此同時(shí)，他們還得應(yīng)對(duì)來自過去敵人的精密復(fù)仇計(jì)劃，以及處理新的人際關(guān)系所帶來的后果。但無論面對(duì)什么挑戰(zhàn)，只要有人需要幫助，他們總會(huì)提供……“天賜之力”。
