備注：已完結
類型：愛情片
主演：HaroldAzuara AnnieCabello EstefiMer
導演：MariaTorres
語言：西班牙語
年代：未知
簡介：意外短信促成了一段網上友誼，瓦萊和亞歷克斯開始互生情愫，卻不知道兩人早已在現實生活中相遇
備注：已完結
類型：恐怖片
主演：亞瑟·哈卡拉赫蒂 Elli Rhiannon Müller Osbor
語言：挪威
年代：未知
簡介：Thale (17) has just moved with her parents to a small town after her mother has a new job in the local police. After a student is killed brutally at a party Thale attends, she becomes a key witness. Was the killer an animal? A wolf?
備注：已完結
類型：愛情片
主演：Jana McKinnon 里斯·曼尼恩 錢尼爾·庫勒 Josephi
語言：英語
年代：未知
簡介： 17-year-old Liv has just moved to London with her mother Ann and little sister Mia, where she meets the mysterious Henry, who has an extraordinary ability. Namely, he possesses the ability of lucid dreaming. But this kind of adventuring and playing with dreams can become very dangerous. An exciting and engaging youth adventure film based on the highly successful youth novel of the same name, where love, youthful curiosity and rebelliousness meet. 源自：https://poff.ee/en/film/silver-and-the-book-of-dreams/
備注：已完結
類型：喜劇片
主演：英格瓦·埃蓋特·西古德松 Joi Johannsson 赫米爾·希尼·
導演：奧斯卡·喬納松
語言：其它
年代：未知
簡介：影片《人前囧事》是由奧斯卡·喬納森擔任導演和編劇的喜劇片。男主人公性格內向孤僻，平時不愛與人有過多的接觸和交流。他的職業(yè)是廣告策劃，平時在一家普通的廣告公司上班。在日常的工作和生活中，他呆頭呆腦的性格時常會鬧出許多笑話。偶然有一天，他和一個女生有了一場臨時約會，然后兩人便迅速墜入了愛河。然而，任何關系都不會永遠的平穩(wěn)順暢，他們的感情也是如此，在平時的生活中會有開心和感動，但是，也會有爭吵和打鬧……
備注：已完結
類型：喜劇片
主演：Jacques Bidou Anne Kravz-Tarnavsky
導演：奧塔·埃索里亞尼
語言：意大利語
年代：未知
簡介：這樣一座小鎮(zhèn)，非常的小。小到一個望遠鏡就能看到所有事情；小到郵差可以悠閑的翻看每一封信，然后再把他們封好；小到人們不需要打招呼，因為他們總是碰到。 鎮(zhèn)上有一個男人，每天早上做同樣的事，換鞋，出門，工作。表面上，他的工作是工地里的焊接工，實際上，他真正的工作是做畫家夢。他用廉價水彩顏料做畫，在天空中大量留白。他和鎮(zhèn)子里的同齡人一樣，感到單調，瑣碎，平淡。他又有點像年輕人，為了理想蠢蠢欲動。 男人有一位妻子，肥胖的身體證明了她是一位盡職的家庭主婦。男人賺錢養(yǎng)家，妻子把賺來的錢變成食物養(yǎng)活他。他們懂得墨守契約的道理，所以很少說話。 男人的父親是一位落寞貴族，他的前半生也許并不傳奇，但他還是把優(yōu)雅和感性留給了下一代。 小鎮(zhèn)的愛情是平淡的，之所以稱為平淡，是因為這樣的愛情里面沒有貧富距離，也沒有膚色差異，好像所有愛情之外的事情都和愛情無關。只是寥寥幾筆，直到結婚那一刻，還是沒有讓人感到墳墓的存在。 酒館里的廁所管理員原來是男扮女裝。他不喜歡的不光是女人，而是人。所以他看到動物很開心。但他決非是真正意義上的異服癖，因為很難想象他會喜歡自己穿上女裝后臃腫老邁的樣子。 小鎮(zhèn)郵遞員喜歡一封封的把信拆開，略略一閱，完后再放回去封好。也許寄信的人壓根就沒封，也許世界上的郵差都惦記著信里的內容。 星期一的早上，男人離家出走。 于是，他到了威尼斯。威尼斯的自由幾乎可以包容一切，條件是你必須也是自由的。人們做著想做的任何的事，甚至是做一個小偷，也一樣被允許。裝腔作勢與這里格格不入，他們太真實了，真實得藏不住丑和美，只要你有一絲惻隱之心都會暴露無遺。 偶然遇到他，火車上的陌生人。自由的共性讓男人辭別了父親的那位虛偽得可笑的老友，與第二次撞面就一見如故的他成為了朋友。他登上了朋友的小舟，帶著不期而遇的好奇，離開了生活中刻意的無奈。 他還有過一次邂逅，之后才發(fā)現，艷遇注定不是此次旅行的主題。更多的邂逅都不會有下文，只是短暫的擦肩而已。即使再重復一次，重復同樣的人，結果也是一樣的。 他寄了一張明信片給妻子，正面畫上威尼斯風景。這次郵差不用拆就能看到他對給妻子說的話，可妻子連看都不看就把他撕得粉碎。郵差猜到會這樣，有時候男人喜歡的浪漫代表了女人痛恨的離別。 于是，男人回來了。 有時候，習慣讓人產生想失去的沖動，轉一圈之后回到原處，看看還是一樣，男人，女人，老人，孩子，牧師。男人像往常一樣換鞋，出門，工作。只是出門前多了一個妻子的吻。于是，他知道了，有些東西不用跑太遠也能得到。
備注：已完結
類型：喜劇片
主演：HeatherAnnDavis EricCallero FrankPa
導演：CraigMoss
語言：英語
年代：未知
簡介：一個名叫Stella的年輕女子被*迫在“自我”的吸血鬼Edward和“好色”的狼人Jacob間選擇。哪個男孩能滿足Stella更親密的需求得到演出。期盼大量的笑話，不適合年輕的Taylor Lautner影迷。
備注：已完結
類型：喜劇片
主演：Matthew Broderick Jeanne Tripplehor
導演：沃倫·萊特
語言：英語
年代：未知
簡介：Sam (Matthew Broderick) is the reasonable man in a crazy urban world, the man of thoughtfulness and refined taste in a landscape of Leroy Neiman paintings and beer commercials. The guy would sooner cook for an hour over a hot stove than say `supersize it.' By day he's a store clerk in an upscale gourmet eatery, and these scenes raise a smile, especially for anyone who's visited the actual chain in New York City -- the portrayal isn't far off from the reality. Our man is besieged by hoards of customers who want their imported French cheese cut to impossibly exact standards. His efforts to remain outwardly polite (while you know he'd like to take the cleaver to the relentless clientele) are pretty funny, and will warm the hearts of clerks everywhere. In general, Broderick is in good form and provides the movie with most of whatever lightness it possesses. Sciorra's lovelorn dental hygienist, Ellen, is fine enough, too, and her unknowing interaction with our cheese-slicing hero shows some hopeful chemistry, and you may begin to feel you want to see these two get together. One of the main competitors for our lady's affections, a stockbroker (Kevin Anderson), is played as caricature he's the beer swilling frat-boy whose idea of after-sex sensitivity is flipping on the football game. He's kind of funny at times, but the movie might be stronger if he was written or acted for us to like him more, instead of having us merely recognize him as the flat-out `wrong' guy in comparison to Broderick's sensitive man. Think of John Candy in Splash, taking a cigarette and beer can to the racquetball game; we know his lifestyle is not the one our hero should emulate, but we can't help but be charmed by the likeable goon. Whereas this character is merely a goon, and pretty unlikable all around. While it's a nice enough light movie for the first half, for me the story was somewhat derailed by its unbelievable (Hollywood) presentation of sex and adultery. (SPOILER AHEAD, skip to next paragraph.) When Ellen returns home after an evening's misadventures, she is naturally faced with the questioning husband (Michael Mantell). Quickly admitting her own indiscretion, she then immediately turns the situation around, demanding to know why the guy had gone ahead and bought a house without discussing it. Granted, it's a valid issue, and granted, many people use this countering maneuver in arguments. What's unbelievable is what happens next the guy starts responding to her question, addressing the house-issue in a quiet, thoughtful manner. WHOA. You'd be hard pressed to find a married person in the world who, when faced with hisher partner's totally unexpected adultery, would be ready to address anything so calmly. The guy would surely be bouncing off the walls, or else crushed into silence and tears - but see, then we might actually feel for the poor schnook, and we'd see Sciorra's character in a poor light. And since that particular audience reaction doesn't serve the romantic comedy, the story tries to sneak around it. You may start to feel that, like the husband, you're being taken. Further dissatisfaction is just around the corner in the ending. We realize this is where misunderstandings will get sorted out, and our couple will finally see a clear path to one another. We want the satisfaction of rooting for them. But it's marred by another unbelievable character reaction, followed by an abrupt conclusion that feels rushed and forced, too easy and unearned. You may feel as though the movie's cheating on you again...
