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備注：已完結(jié)
類型：劇情片
主演：Jeremy Jordan Kara Lindsay Ben Fank
語(yǔ)言：英語(yǔ)
年代：未知
簡(jiǎn)介：Filmed live on stage at the Pantages Theatre in Hollywood, CA, this not-to-be-missed high energy show stars Original Broadway cast members Jeremy Jordan as Jack Kelly, Kara Lindsay as Katherine, Ben Fankhauser as Davey and Andrew Keenan-Bolger as Crutchie. They're joined by North American Tour stars Steve Blanchard as Joseph Pulitzer, and Aisha de Haas as Medda Larkin, and Ethan Steiner as Les along with members of both the Broadway and North American Tour ensembles, filling the stage with more newsies and more dancing than ever before. Set in New York City at the turn of the century and based on a true story, Newsies is the rousing tale of Jack Kelly, a charismatic newsboy and leader of a ragged band of teenaged 'newsies,' who dreams only of a better life far from the hardship of the streets. But when publishing titans Joseph Pulitzer and William Randolph Hearst raise distribution prices at the newsboys' expense, Jack finds a cause to fight for and rallies newsies from across the city to strike and take a stand for what's right.
備注：已完結(jié)
類型：劇情片
主演：Jeremy Jordan Kara Lindsay Ben Fank
導(dǎo)演：Brett Sullivan
語(yǔ)言：英語(yǔ)
年代：未知
簡(jiǎn)介：Filmed live on stage at the Pantages Theatre in Hollywood, CA, this not-to-be-missed high energy show stars Original Broadway cast members Jeremy Jordan as "Jack Kelly," Kara Lindsay as "Katherine," Ben Fankhauser as "Davey" and Andrew Keenan-Bolger as "Crutchie". They're joined by North American Tour stars Steve Blanchard as "Joseph Pulitzer," and Aisha de Haas as "Medda Larki...
備注：已完結(jié)
類型：劇情片
主演：拉爾夫·馬基奧 Janeane Garofalo F. Murray
導(dǎo)演：Evan Oppenheimer
語(yǔ)言：英語(yǔ)
年代：未知
簡(jiǎn)介：[轉(zhuǎn)學(xué)生麥絲為了贏過(guò)富家女伊莉莎白，向其下西洋棋的戰(zhàn)帖，日后她偶然在公園遇見(jiàn)棋藝精湛卻個(gè)性古怪的老先生諾曼，她拜託諾曼教導(dǎo)她西洋棋的技巧，要贏得人生這場(chǎng)棋。麥絲在轉(zhuǎn)進(jìn)私立女校的第一天，發(fā)現(xiàn)同學(xué)們都是富家千金，家境清寒的自己受到了排擠。為了不讓努力維持家計(jì)的父母操心，她決定撐下去。麥絲選擇了西洋棋社作為課后社團(tuán)活動(dòng)，對(duì)西洋棋一無(wú)所知的麥絲卻受到富家女伊莉莎白的羞辱，一氣之下，麥絲公然向伊莉莎白下戰(zhàn)帖，因?yàn)樗莱勤A過(guò)伊莉莎白，否則麥絲就別想在學(xué)校有好日子過(guò)?；丶衣飞?，麥絲偶然在公園遇見(jiàn)棋藝精湛卻個(gè)性古怪的老先生諾曼，她拜託諾曼教導(dǎo)她西洋棋的技巧，期望能在比賽上贏過(guò)伊莉莎白。諾曼將人生視為一盤棋，每顆棋子不是朋友就是敵人。諾曼還教導(dǎo)麥絲人生戰(zhàn)場(chǎng)不可能單打獨(dú)斗，要贏得人生這場(chǎng)棋，唯有在紐約市尋找答案。紐約，不僅將幫助麥絲贏得棋賽，還找回了麥絲自己的人生...]
備注：已完結(jié)
類型：劇情片
主演：Román Méndez de Hevia Emilio Menche
導(dǎo)演：Iván Fernández de Córdoba
語(yǔ)言：其它
年代：未知
簡(jiǎn)介：Alonso is a skater who goes across Spain with the skate as his only means of transport. The road will force him to cross with characters that will change his life and they will discover the reason why Alonso does this curious and strange trip.
備注：已完結(jié)
類型：劇情片
主演：Artúr Somlay Miklós Gábor Zsuzsa Bá
語(yǔ)言：其它
年代：未知
簡(jiǎn)介：Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
備注：已完結(jié)
類型：劇情片
主演：斯特林·奈特 史賓塞·洛克 迪恩·蓋耶 Kote Tolordava
導(dǎo)演：Levan Bakhia
語(yǔ)言：英語(yǔ) / 格魯吉亞語(yǔ)
年代：未知
簡(jiǎn)介：[三個(gè)美國(guó)年輕友人，相邀到歐亞邊境國(guó)喬治亞旅行，不料在行經(jīng)偏僻的野地，其中一人誤踩到當(dāng)?shù)貒?guó)境戰(zhàn)時(shí)期遺留下來(lái)的地雷，正憂心身處險(xiǎn)地的當(dāng)下，竟爆出兩男一女友人間不可告人出軌關(guān)系，而正當(dāng)三人爭(zhēng)論是否彼此原諒，彼此背棄和尋求當(dāng)?shù)鼐仍畷r(shí)，一個(gè)外出打獵喬治亞住民出現(xiàn)，讓原本站在地雷上急如熱鍋螞蟻的青年，從此面臨情愛(ài)與生死交關(guān)的抉擇，倒底他的抉擇能否獲得老天的眷顧，腳踩地雷的他是否還有扭轉(zhuǎn)局勢(shì)的奇蹟？]
備注：已完結(jié)
類型：愛(ài)情片
主演：納尼 Nivetha Thomas 阿迪 塔尼克拉·巴拉尼 Murli
語(yǔ)言：泰盧固語(yǔ)
年代：未知
簡(jiǎn)介：想學(xué)習(xí)舞蹈的帕拉維，愛(ài)上了舞蹈高手烏馬，兩人開(kāi)始相愛(ài)。在遭遇家庭逼婚時(shí)，帕拉維想讓烏馬帶自己私奔，烏馬因?yàn)橄胍o帕拉維更好的生活決定先完成博士學(xué)位。失望的帕拉維奉父命成婚，聽(tīng)到消息的烏馬一蹶不振、終日酗酒。為了挽救烏馬，帕拉維和丈夫阿倫決定要求烏馬來(lái)家住10天，以兩人圓滿的愛(ài)情擊退癡情的烏馬。此后，帕拉維無(wú)意中發(fā)現(xiàn)阿倫與一個(gè)女孩擁抱，原來(lái)是曾經(jīng)為了阿倫甚至自殺的癡情女。兩人的婚姻將走向哪里？
