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備注:已完結(jié)
類型:劇情片
主演:伊蓮娜·雅各布 格萊戈?duì)枴た屏?/a> 西里爾·蓋伊 BUNHOK
導(dǎo)演:潘禮德
語言:英語
年代:未知
簡(jiǎn)介: 1978年,紅色高棉政權(quán)邀請(qǐng)三名法國(guó)使者—醉心研究馬克斯主義的學(xué)者、一心求真的務(wù)實(shí)記者,和滿腔熱誠(chéng)、愛抱打不平的攝影師,到柬埔寨進(jìn)行國(guó)情研習(xí),企圖向西方說好赤柬故事。政黨高層句句歌頌波爾布特崇高的革命理念,被安排游覽的場(chǎng)所處處展示赤柬的豐功偉績(jī),卻依舊難掩人民臉上的恐懼。三位使者在高壓政權(quán)的監(jiān)視下尋找真相,以鏡頭和錄音機(jī)對(duì)抗緊隨他們的軍人和槍支,卻不知危險(xiǎn)正逐步逼近。第10屆焦點(diǎn)導(dǎo)演潘禮德過去多部作品,包括入圍奧斯卡之作《被消失的影像》均反映出他對(duì)紅色高棉大屠殺的念茲在茲,今次以劇情片重演真實(shí)事件,回歸康城影展,繼續(xù)以其獨(dú)有的方式念記柬埔寨這段血腥沉重的過去。
備注:已完結(jié)
類型:海外動(dòng)漫
主演:未知
導(dǎo)演:潘禮德
語言:法語
年代:未知
簡(jiǎn)介: A megalith rises from a sandy desert – or rather, a scale model of such a landscape. “I am the archive”, says a young female voice while ominous string music nails viewers to their seats. This opening sets the stage for the narrative and figurative language of Rithy Panh’s dense mnemonic essay which uses stunning dioramas to tell a twenty-first century dystopian story. After a century of genocidal ideologies and destructive speciesism, animals have enslaved humans and taken over the world. In a wave of hope, the statues of the past have been removed but new ones are being erected to suppress the will of the people. This is now a planet of apes, boars and lions, and a zoological revolution is reversing and recreating the atrocities of the 20th century. As animal figures watch the film archives of our world, it feels as if Lumière has been transported into a film by Méliès or Willis H. O’Brien. We are all well aware that history repeats itself first as tragedy, then as a farce. The time has now come for this farce, in which “political language inhabits our dreams and consumes us”, to allow the possibility of a “graceful and tender insubordination” to emerge.