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備注：已完結(jié)
類型：戰(zhàn)爭(zhēng)片
主演：薩利·姆道 Suhel·Haddad·Suhel·Haddad
導(dǎo)演：Rafi·Bukai·Rafi·Bukai
語言：阿拉伯語,英語
年代：未知
簡(jiǎn)介：1967年6月5日，以色列出其不意對(duì)周邊阿拉伯國(guó)家發(fā)動(dòng)第三次中東戰(zhàn)爭(zhēng)，并在六天內(nèi)贏得勝利。在埃及宣布戰(zhàn)爭(zhēng)失敗后，幾名缺水缺糧的埃及士兵想穿越已被以色列占領(lǐng)的西奈沙漠到蘇伊士，回到和平地區(qū)。本片是作品...
備注：已完結(jié)
類型：劇情片
主演：歐哈德·諾勒 耶和達(dá)·勒維 阿西·科恩 Aya Steinovitz
導(dǎo)演：伊藤·?？怂?/a>
語言：希伯來語
年代：未知
簡(jiǎn)介：[清晨，白雪覆蓋的山區(qū)，一對(duì)以色列士兵正在營(yíng)房附近挖掘土坑掩埋大量腐敗的食品。隊(duì)長(zhǎng)尤斯（OhadKnoller飾）與戰(zhàn)士里奧外出巡視，里奧長(zhǎng)相俊美，同袍們用某位明星的名字——積加（YehudaLevi飾）來稱呼他。尤斯與積加是一對(duì)秘密的同性戀人，他們很快把巡邏變成了一場(chǎng)雪地中的約會(huì)，即將退伍的積加把將來的旅行計(jì)劃透露給尤斯……軍官祖路帶同兩名女兵高迪與葉莉來到營(yíng)房，布置了當(dāng)晚的伏擊任務(wù)，軍人們吃過了匆匆拼湊的午餐，席間有人說著同性戀的笑話。葉莉?qū)僖夥e加但一直沒有表白，熟悉內(nèi)情的戰(zhàn)士試圖提出警告以便接近葉莉卻沒有收效。傍晚時(shí)分，小分隊(duì)出動(dòng)執(zhí)行任務(wù)，夜色中突發(fā)的交火帶來了悲傷的結(jié)局……本片根據(jù)真實(shí)故事改編，獲2003年米蘭、都靈國(guó)際同性戀電影節(jié)觀眾獎(jiǎng)等褒獎(jiǎng)。]
備注：已完結(jié)
類型：劇情片
主演：歐哈德·諾勒 耶和達(dá)·勒維 阿西·科恩 Aya Steinovitz
導(dǎo)演：伊藤·福克斯
語言：希伯來語
年代：未知
簡(jiǎn)介：[清晨，白雪覆蓋的山區(qū)，一對(duì)以色列士兵正在營(yíng)房附近挖掘土坑掩埋大量腐敗的食品。隊(duì)長(zhǎng)尤斯（OhadKnoller飾）與戰(zhàn)士里奧外出巡視，里奧長(zhǎng)相俊美，同袍們用某位明星的名字——積加（YehudaLevi飾）來稱呼他。尤斯與積加是一對(duì)秘密的同性戀人，他們很快把巡邏變成了一場(chǎng)雪地中的約會(huì)，即將退伍的積加把將來的旅行計(jì)劃透露給尤斯……軍官祖路帶同兩名女兵高迪與葉莉來到營(yíng)房，布置了當(dāng)晚的伏擊任務(wù)，軍人們吃過了匆匆拼湊的午餐，席間有人說著同性戀的笑話。葉莉?qū)僖夥e加但一直沒有表白，熟悉內(nèi)情的戰(zhàn)士試圖提出警告以便接近葉莉卻沒有收效。傍晚時(shí)分，小分隊(duì)出動(dòng)執(zhí)行任務(wù)，夜色中突發(fā)的交火帶來了悲傷的結(jié)局……本片根據(jù)真實(shí)故事改編，獲2003年米蘭、都靈國(guó)際同性戀電影節(jié)觀眾獎(jiǎng)等褒獎(jiǎng)。]
備注：已完結(jié)
類型：劇情片
主演：納維德·內(nèi)加班 戴維·戴安 Viss Elliot Safavi
導(dǎo)演：Yuval Delshad
語言：希伯來語 / 波斯語
年代：未知
簡(jiǎn)介：[YitzhakrunstheturkeyfarmhisfatherbuiltwithhisowntwohandsaftertheyemigratedfromIrantoIsrael.WhenhissonMotiturnsthirteen,Yitzhakteacheshimthetrade,hopingthathewillcontinuetheproudfamilytradition.ButMotidoesn'tlikeworkingintheturkeybarn;hispassionisfixingupjunkyardcarsandbringingthembacktolife.Moti'smotherSarahtries...]
備注：已完結(jié)
類型：劇情片
主演：Avigail Kovari Moran Rosenblatt Gal
導(dǎo)演：Tsivia Barkai
語言：希伯來語
年代：未知
簡(jiǎn)介：一段奇妙卻又充滿禁忌的初戀故事！ 描述一名生長(zhǎng)在傳統(tǒng)猶太教青少女，她的性覺醒與喪偶父親嚴(yán)謹(jǐn)?shù)淖诮绦叛鲋g的沖突與撞擊。這也是編導(dǎo)演Tsivia Barkai Yacov的自傳性故事。本片是繼她的畢業(yè)作品VIKA 入圍2006 柏林影展Generation Kplus競(jìng)賽單元之后，再次受到柏林影展肯定。
備注：已完結(jié)
類型：劇情片
語言：希伯來語
年代：未知
簡(jiǎn)介：The issue of War widow representation in Israeli cinema is one of the most complex for the local industry for it seems to be unique and with a very local and specific iconography. The war Widow is a difficult character to digest. Because this is an especially painful topic in Israel, its mode of representation is almost always problematic. Gila Almagor in Tofano's "siege" is one of the first characters of the "modern" war widows to appear on Israeli cinema screens. The human and social complexity of the status of widows was not represented adequately and personally until her complex and fine appearance in this film. It was mostly Preceded by cliches of heroic women who have sacrificed for the nation with characters to which it was very difficult to get attached, nor to their personal grief. "Siege" was directed by an unknown Italian director of that period. Although Gilberto Tofano was brought as a professional director on the wings of inspiration made by the French New Wave of those years, he managed to turn out a very exciting work which has caught the Israeli warmth and sense of social siege which surrounds the Israeli widows, including the great expectations from them and the social stigmas. Tofano wrapped his leading lady with lots of warmth and gave a place of honor to Almagor's impressive presence in the film. This is without a doubt one of Almagor's best and most accurate performances. The restraint in her performance plus the shooting and expressive use of angles by Tofano and his soft European touch which was far off from the aggressive local product managed to produce a sense of documenting an authentic tragedy with a tangible personal touch that minimized the national dimension. The result stands the test of time proudly several decades after its creation.
