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備注：已完結(jié)
類型：劇情片
主演：納維德·穆罕默德扎德 塔拉內(nèi)·阿里多斯蒂 阿里·巴格利
導演：曼尼·夏希希
語言：波斯語
年代：未知
簡介：受產(chǎn)前抑郁困擾的法莎娜從霧雨車窗外望，瞥見丈夫賈拉身影進入高級公寓，懷疑他有外遇，賈拉卻言之鑿鑿當天不在德黑蘭。查探之下，竟發(fā)現(xiàn)另一對夫婦，相貌與他們雷同，儼如是彼此分身。對鏡互照，看出自己的不足，也看出伴侶的缺陷，單純的偶遇演變成糾結(jié)四角關(guān)系。掩映在暗黑光影下是希區(qū)柯克式懸疑驚栗，滲透于滂沱大雨中卻是曼尼·夏希希對伊朗式婚姻、道德以至人性矛盾的深沉體悟；在神權(quán)政體下，人必須自我分裂甚至自我毀滅，方能讓“我”活下去？
備注：已完結(jié)
類型：喜劇片
主演：達比·坎普 Emmy Liu-Wang Alex Cooper Coh
語言：英語
年代：未知
簡介： The hilarious aftermath of a sleepover birthday party hypnotism gone wrong as best friends Megan and Paige, along with soon-to-be step-sister Veronica, wake up with absolutely no memory of the night before. Now they must retrace their steps to find missing birthday girl Anna Maria... and explain why there's a flock of baby ducks in the bathtub, what happened to Megan's left eyebrow, and why she's wearing unattainable hottie Jake Ramirez's (Rodriguez) signature black hoodie.
備注：已完結(jié)
類型：恐怖片
導演：David Beton
語言：英語
年代：未知
簡介：One church, one priest, a wounded man and his loaded gun. An intense thriller played out in real time during one night where a vengeful confession must take place.
備注：已完結(jié)
類型：劇情片
主演：哈扎爾·菲利茲·庫庫科斯 內(nèi)扎特·伊什萊爾 伊利亞達·阿克迪肯 伊拉伊
語言：其它
年代：未知
簡介： 深受重創(chuàng)、心力憔悴、痛失親人，這名私家偵探必須頂住壓力，破解錯綜復雜的謊言，揭開一樁別墅謀殺案背后的真相。
備注：已完結(jié)
類型：科幻片
主演：斯蒂芬妮·馬蒂尼 艾瑪·阿普爾頓 羅里·弗萊克-拜恩 休·奧康納 Aa
導演：安德魯·萊格
語言：英語
年代：未知
簡介： Hollywood-style time travel tales like to focus their attention on cultural fads and fashions: clothes, music, slang, daily technologies. The ingeniously low-budget Irish sci-fi film LOLA has fun with all of that, but also investigates darker, more global questions like: what if Germany had won World War II? Pieced together in dazzling 16mm as an imaginary collage of interlocking audio-visual documents from the 1940s, Andrew Legge, directing his debut feature, conjures the lives of two gifted and lively sisters, Thomasina and Martha. Left to their own devices as children, the pair has managed to create a machine that receives media broadcasts from the future. In their personal, cloistered, punk paradise, they embrace the rebellious styles of an age to come – The Kinks, David Bowie – but also discover, when military personnel move in, that history is a dangerous game to toy with. The ultimate question becomes: if mass media can change the world, can cinema miraculously restore it? Just like the monument to bricolage created by its characters, LOLA is an inspired conceit in the style of Guy Maddin, Woody Allen’s Zelig (1983) and Peter Jackson’s Forgotten Silver (1996). It’s a surreal romp through scratches, glitches and speculative possibilities.
